Chlotrudis Independent Film Society
Recent Reviews by Chlotrudis Independent Film Society
Westhampton
Horsegirls
American Pachuco: The Legend of Luis Valdez
Summer Tour
The Kidnapping of Arabella
Bad Counselors
Her Private Hell
Pinocchio Unstrung
Cruel Hands
Haunted Heist
Black Chariot
The Floaters
Do You Love Me
The Isolate Thief
Mockbuster
Night Nurse
Reading Lolita in Tehran
Remake
The Town That Takes
Rhythm is a Dancer
Sugar Beach
The Get Out
The Battle of Oslo
I Know Who You Are
Mary Oliver: Saved by the Beauty of the World
Gangland
Swallowtail & Dragonfly
Roid
Baby Doe
Barrio Triste
Goat Girl
Hell Trotter
A Mosquito in the Ear
Road to Everywhere
Shoot the People
Unidentified
Mare’s Nest
Bouchra
Camp
Couture
Underland
I Am Frankelda
Flag Day
O Horizon
Promised Sky
This Tempting Madness
In the Hand of Dante
Us in the End
Gregg Allman: The Music Of My Soul
Girls Like Girls
Chum
Another World
Iowa Vet: Dogs, Cats, Corn, & Murder
The Last Whale Singer
Jinsei
The Little Sister
Savage House
The Passenger
She’s the He
Signal One
Forestera
Fucktoys
The Last Viking
Renoir
Rich Flu
Time and Water
With Hasan in Gaza
Revolutionary America
The Easy Kind
The Wizard of the Kremlin
Everybody to Kenmure Street
Giant
May Contain: My Life
Matador Bolero
Saccharine
The 47
Tuner
Crossing a Dawn
The Currents
Driver’s Ed
Mobile Suit Gundam Hathaway: The Sorcery of Nymph Circe
Being Towards Death
Decorado
Diamonds
Forge
Life Hack
Vanishing Point
Magic Hour
Ask E. Jean
Save the Green Planet!
Laks says: “I had only just seen the trailer (regrettably, because it gave faaaarrr to much away) for BUGONIA last night and was very grateful for your review soon after. I jumped straight of bed this morning and went straight
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Adam’s Apple
Michael says: “Nice positive story about growing up trans with a supportive family. Co-written and directed by Amy K. Jenkins the family’s mother, there is an intimacy that might otherwise have been lacking. Still, I felt the overall film was
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Remake
Chris says: “Given our current tendency to document just about everything (especially ourselves) with our smartphones, will younger and future generations retain a seemingly infinite treasure trove of recorded media to reference, look back on and cultivate into living histories?
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Romería
Michael says: “A young woman orphaned as a child, seeks information about her birth parents off the coast of Spain in order to apply for educational grants. She discovers a large family on her father’s side, with dark secrets that
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The Last Yztari
Julie says: “THE LAST YZTARI tells the story of Mary Dague, a woman who lost both arms while diffusing bombs in Iraq (to protect a school), and her struggle to heal and redefine herself. She tried for many years to
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I Want Your Sex
Peter says: “Standing outside in the long film festival line for Gregg Araki’s latest film, inevitably, passersby would ask those in line, ‘What is this line for?’ And you could feel the immediate discomfort on their face when “I Want
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Maddie’s Secret
Eliza says: “From the beginning, I wasn’t sure what the audience was supposed to feel. I first thought it was solely a think-piece on gender. A sort of glimpse into life if one’s gender identity simply wasn’t questioned by others,
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Aanikoobijigan
Cassian says: “The Khalil brothers take us through a deeply emotional decades-long journey of reburying the remains of their ancestors through the process of indigenous repatriation. This documentary follows MACPRA (Michigan Anishinaabek Cultural Preservation and Repatriation Alliance), a unified group
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Rose of Nevada
Cassian says: “A mysterious fishing boat reappears after 30 years. A young father and a mysterious drifter join the fishing crew in hopes of prosperity but things take an unexpected turn when they get stuck in a time loop. “What
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The Invite
Peter says: “The closing night of IFFBoston is always a bittersweet affair – it’s the official capping off of what to me is basically film nerd summer camp. My volunteer friends of 10+ years were so excited to have gotten
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Filipiñana
Peter says: “Winning the Special Jury Award for Creative Vision at the Sundance Film Festival, Filipiñana is that kind of slow-moving art film you might need to pinch yourself a few times to keep from nodding off. “The film primarily
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