Jason says: “A LITTLE POND’s goal is to educate its audience about the Nogunri massacre of 1950, and it succeeds: It presents a reconstruction of that shameful incident in the best detail that the filmmakers could extrapolate. It is almost
Jason says: “Ole Bornedal was never really away from filmmaking, but time spent trying to work Hollywood and then working Danish theater kept his film output very sparse in the ten years leading up to 2007. Since then, though, he’s
Jason says: “It’s not that you can’t make a scary, surprising vampire movie any more – my last two trips to this festival delivered LET THE RIGHT ONE IN and THIRST, so it can be done. It’s just hard; the
Jason says: “So, here’s my question: If you lived in this tiny Japanese village, what sort of evidence would you need to declare that Rinco’s cooking has magical wish-granting powers? After all, in the sort of small town where everybody knows
Jason says: “Mamoru Hosoda perhaps didn’t make a huge name for himself with THE GIRL WHO LEAPT THROUGH TIME, but he made a very good animated film that told a fantastical science fiction story that was also very emotionally grounded.
Jason says: “I’ve got an issue with THE LAST EXORCISM, but it’s about as minor as one can be: It may be borne almost entirely out of my personal beliefs and one that only becomes an issue in the final
Jason says: “A frustrating aspect of seeing foreign films at festivals is that they tend to be very directer-oriented, so if it’s a performance that catches one’s eye, the most likely situation for seeing that actor again is if he/she
Jason says: “Take heart, people of the world; the west and the east aren’t necessarily so different after all. Sure, we may not see eye-to-eye on a lot of things, but if both cultures churn out romantic comedies where the
Jason says: “Norway’s FATSO goes for the comedy of discomfort far more than an American version of the same story would, and as a result, maybe it makes sense in that case that it ends with only the wispiest sense