Bruce says: “Who would have guessed that the two stars of the 2001 film L.I.E., one a Scotsman and the other an American teenager, would end up eight years later working together in Iceland? Although Paul Dano (2008 Chlotrudis Award
Jason says: “A few years ago, I saw a movie called A BITTERSWEET LIFE AT FANTASIA and loved it, saying it was the sort of action movie John Woo and Chow Yun-fat used to make before they came to Hollywood
Jason says: “Stieg Larsson’s ‘Millennium’ novels – all three published posthumously, and given names that begin The Girl Who… in the United States – are kind of a big deal. How can you tell? Well, the three movies with high
Thom says: “Polanski, perhaps because of his continuing legal problems, is not the most prolific of world-class directors, but I’ve still managed to see 17 of his films. I loved his early oeuvre of KNIFE IN THE WATER, REPULSION, &
Thom says: “This period piece about a hermit in Tennessee in the 1930s has its plusses, especially with pretty horses, good photography and editing, finally ends up disappointing. The truculent hermit has a big secret that separates him from the
Jason says: “Disdain for the technique of redrawing voting districts in strange ways for political gain (‘gerrymandering’) doesn’t unite America’s political parties, so much as alternate between them as convenient. Because of this, GRRYMANDERING-the-movie actually has a better chance than
Jason says: “FROZEN is straightforward, at times almost to a fault. In short order, we get friends with a certain amount of tension between them, a situation we really wouldn’t want to be in, and things getting worse. Fortunately, this
Jason says: “A funny thing happened while I sat in the theater, watching the BUFF screening of FRIENDS (WITH BENEFITS): I realized that it was, all told, a pretty conventional romantic comedy – which is probably the last thing I
Jason says: “THE FREEBIE is one of those DIY-style movies (it’s too well-spoken and clean-looking to be referred to as ‘mumblecore’) where no writing credits appears; the cast is working from producer/director/star Katie Aselton’s outline. Everyone’s got their own process,
TC says: “FREAKONOMICS is based on the best-selling book of the same name by economist Steven Levitt and writer Stephen Dubner. It basically looks at how random chance, or causality, affects various parts of the everyday economy. “Having been fan
Jason says: “Before getting upset at the very existence of terrorist comedy FOUR LIONS, remember one thing: Most criminals are idiots. If they were smart, they’d likely be putting their talents to use doing something much more lucrative with much
Jason says: “(There’s movies where you want your opinion known, movies that you want people made aware of, and shameless attempts to make sure that the limited-release film you saw counts toward your films-seen tally at the end of the
Jason says: “How things change; before THE KING AND THE CLOWN, which was very careful about what it showed of its title characters’ relationship, I don’t think you ever saw gay characters in Korean cinema, and Park Chan-wook’s THIRST wound
Jason says: “It’s not really important that the first ‘Millennium’ novel (and film adaptation) is called Men Who Hate Women in Sweden, becoming The Girl with the Dragon Tattoo in English-speaking countries for the purpose of having the entire trilogy
Michael says: “I am a huge fan of Peter Cameron’s novel The City of Your Final Destination, so I was looking forward to James Ivory’s adaptation of the same name. The main story follows the journey of a young man
TC says: “I can’t describe what an amazing, powerful movie this is. The film focuses on four reels of film shot in 1942 in the Warsaw ghetto by Nazi filmmakers who were making a propaganda film. But for some reason,
Jason says: “FAIR GAME is a good movie that is going to have a target on its back for all the wrong reasons. If the story were relocated and names were changed, both its issues and its strengths would be
Jason says: “In general, it’s a bad sign when the main character of a movie isn’t the first name you see in the credits. That’s not a rule you can really rely on, since that sort of thing is often
Chris says: “It’s rare for one film to fully capture how an artistic movement evolves from inception to irrelevance, but that’s just what this ingenuously constructed, gleefully entertaining documentary does for graffiti-inspired guerrilla street art—as it’s all happening, no less.
Jason says: “It’s not hard for a prison movie to get off to a decent start. There is, after all, always a new guy coming in who needs to be shown the ropes and taught the rules. That the new