Michael says: “Nice positive story about growing up trans with a supportive family. Co-written and directed by Amy K. Jenkins the family’s mother, there is an intimacy that might otherwise have been lacking. Still, I felt the overall film was
Eliza says: “From the beginning, I wasn’t sure what the audience was supposed to feel. I first thought it was solely a think-piece on gender. A sort of glimpse into life if one’s gender identity simply wasn’t questioned by others,
Peter says: “I just recently finished teaching Fahrenheit 451, and unfortunately, this documentary is proof that Bradbury’s warnings are as relevant as ever. “In 2023, Florida Governor Ron DeSantis took over the ultra-liberal New College in Sarasota. It’s the sort
Peter says: “I had the interesting experience of seeing The Last Critic – a documentary about legendary music critic Robert Christgau – seated amongst a crowd of film critics in the audience! “Christgau, over many decades, seemed to perfect the
Brett says: “I LOVE BOOSTERS, the latest from Boots Riley, brings many of the same stylings as his earlier film SORRY TO BOTHER YOU in that the audience is eased into what is clearly a satire in the first act
Diane says: “Colin, inexperienced and shy, falls hard for gorgeous biker Ray, and learns quickly that, in this relationship, he doesn’t have a say about anything. Within days Colin has a shaved head and a chain around his neck. “To ease myself into
Diane says: “I think how you much you like Jim Jarmusch’s triptych will depend on your own family dynamics. Are get-togethers awkward, with long silences? Are you boisterous and demonstrative? How well do you know your parents and siblings? “In
Chris says: “Amanda Kramer’s follow up to GIVE ME PITY! is also infatuated with outdated media forms but this doc about early AI plays more like a fancy 3-D PowerPoint lecture (with perfectly robotic narration from Debbie Harry.) It’s well
Brett says: The puzzle thriller is not a new subgenre, but the daily crossword is not in the same vein as the rabbit holes one might find in a Dan Brown-based film. CROSSWORD is the directorial debut of Michael Vlamis
Brett says: “The puzzle thriller is not a new subgenre, but the daily crossword is not in the same vein as the rabbit holes one might find in a Dan Brown-based film. CROSSWORD is the directorial debut of Michael Vlamis