Chris says: “So, Ryusuke Hamaguchi, what are you doing now after all that acclaim (including the Palme D’or and an Oscar) for DRIVE MY CAR? A study of an environmental threat towards a remote community whren a corporation wants to
Gil says: “The debut film from director Celine Song is definitely one of the year’s best so far and I look forward to seeing this film reach a larger audience. The film tells the story of Nora and Hae Sung,
Michael says: “This enlightening documentary about the tragic death of a young surfer from shark attack off the coast of Cape Cod did two major things for me. It granted me a newfound respect for the job of lifeguard, and
Michael says: “A social commentary that starts off wickedly funny and gets progressively darker, even while maintaining an edge of humor. Tackling paranoia, mob mentality, fear-mongering (so relevant in today’s world), race and class, WE MIGHT AS WELL BE DEAD
Amanda says: “BLACKBERRY is a biographical comedy-drama film that chronicles the captivating journey of Mike Lazaridis and Jim Balsillie in Waterloo, Canada that starts in the late 1990’s. These two individuals played a pivotal role in shaping the extraordinary ascent
Chris says: “Two young Berliners, Leon (Thomas Schubert), a writer struggling to finish his novel and his friend Felix (Langston Uibel), a photographer, take a trip to a cabin in the woods near the Baltic Sea owned by Felix’s mother. Upon
Chris says: “Cheerfully billed as ‘A Saturday Night Television Special’ starring Sissy St. Claire (Sophie von Haselberg), writer/director Amanda Kramer’s film may feel as if it’s beaming in from another planet to those unfamiliar with 1970s/80s variety shows. Devotees of
Michael says: “Someone was describing this exquisitely beautiful film as more than just about birds in Delhi, and while I do think the film masterfully incorporates the crumbling world climate, the baffling ecosystem of the city in question, and just
Michael says: “I went into THE QUIET GIRL with only the knowledge that it was spoken in the traditional Irish language, and the image or the young girl on the poster. I knew nothing else about it. As the film
Chris says: “Maybe my favorite new documentary since the one on David Wojnarowicz, and even his brief presence here doesn’t distract from Nan Goldin, whose work and life personifies that blur between the two, not to mention the personal and the