Peter says: “The closing night of IFFBoston is always a bittersweet affair – it’s the official capping off of what to me is basically film nerd summer camp. My volunteer friends of 10+ years were so excited to have gotten
Diane says: “A wealthy man decides to fund a movie to establish his legacy. Either that or build a bridge. With the rights to a novel in hand, his aide brings in the high-level, but artsy, director (Penelope Cruz), and
Chris says: “Asghar Fahardi’s latest is his least essential feature to date, but only when you consider his exceptional track record. If you’ve already seen A SEPARATION, THE PAST and all the rest, you could do much worse than this
Thom says: “Most ‘movie’ folks have been assiduous followers of the Spanish master Almodóvar since early in his career and I count myself among them although, honestly, I’ve rarely considered the possibility of him going to the TIP-TOP, mainly due
Bruce says: “Pedro Almodóvar is on a creative treadmill and desperately needs to hop off. Nothing about BROKEN EMBRACES seems fresh and engaging. Once again his plot centers on various characters harboring secrets that they withhold from each other and
Jason says: “Daniel Day-Lewis being in a movie is genuinely a good sign – since THE BOXER in 1997 he’s done a mere four, only signing on when there seems to be something worth doing. And he’s got a fantastic
Bruce says: “Two girls are invited to Barcelona to spend July and August with friends Judy and Mark Nash (Patricia Clarkson and Kevin Dunn). Vicky (Rebecca Hall), whose fiancée is staying behind in New York, is working on a thesis
Michael says: “I missed ELEGY in the theatre last year, and was able to catch up with it on Blu-Ray this morning. It firmly propels Isabel Coixet into that category of talented filmmakers whose films I will not miss. Never