Thom says: “This adaptation of the Divine William Shakespeare comedy masterpiece fully deserved the accolades it received at TIFF as this modern reading in gorgeous black & white photography was spectacularly successful. Many rehearsals must have been scheduled for the
Jason says: “MOTIVATIONAL GROWTH ran twice at the festival, with overlapping crowds but different results: Once as a spotlight presentation with the director doing Q&A that was reasonably well received, and once as the 4am leg of a noon-to-noon marathon
Chris says: “At her wedding, Adenike (Danai Gurira), a Nigerian recently transplanted to Brooklyn is asked by her mother-in-law to bear a child named George. In her culture, this is not a request, but a command, her duty. After a
Jason says: “THE MOTEL LIFE isn’t quite a lot of filler packed around one great moment – it is, really, a watchable indie drama, so when the scene the audience will remember comes, they aren’t likely to weigh that bit
Jason says: “Many potential audience members will see a preview for Markus Imhoof’s documentary MORE THAN HONEY and perhaps wonder if it has anything particularly new to tell them; we learn about bees and their symbiotic relationship with the local
Chris says: “A half-forgotten pop culture figure you probably never thought the world needed a documentary feature about, mid-century black comedienne Moms Mabley actually proves ideal for the format. Her career trajectory (playing to mostly black audiences until finding mainstream
Jason says: “Put its Mormon trappings aside, and MISSIONARY is the sort of basic ‘woman with a stalker’ movie that hits all its marks well enough that the audience doesn’t necessarily care that it’s working from a standard list. It
Kyle says: “MIRACLE IN CELL NO. 7 is a despicable patriarchal fantasy presented as a comedic tearjerker about a wrongfully imprisoned intellectually impaired but adoring father Young-Goo (Ryoo Seung-Ryong) of a precious little girl Je-Seung (Kal So-Won), who is smuggled
Bruce says: “Michael Haneke does not like to discuss his personal life – he prefers to concentrate on the man behind the camera. Those wishes are granted by director Yves Montmayeur. It is likely those wishes were conditional in making
Kyle says: “Whether you are a potential viewer of this latest work by the director best known for MURIEL’S WEDDING depends on how open you are to a comedy about mental illness. The title refers not only to the wildly
Thom says: “I’ve followed Hal Hartley’s career quite closely & had seen all his feature-length films sans FLIRT (1995) & SURVIVING DESIRE (1993) & have loved some of them including TRUST, AMATEUR, HENRY FOOL, & FAY GRIM. Others haven’t been
Chris says: “Deceptively simple and effortlessly graceful, this character study is the type of American indie you wish would receive the release and promotional heft of something like THE WAY WAY BACK. Martin Bonner, a divorced, sixty-ish man of Australian
Jason says: “As much as I’m glad the Boston Sci-Fi Film Festival is getting a better class of movies, I kind of wish that the timing of MARS ET AVRIL hitting the festival circuit and then having its regular release
Bruce says: “Loosely based on the characters of Leopold and Molly Bloom in James Joyce’s Ulysses, MARRIAGE is a dawn-to-dusk examination of a marriage from within the minds of both husband and wife. It is a day in which both
Jason says: “MANDELA: LONG WALK TO FREEDOM is a tidily-arranged biography; it organizes what people are interested in where Nelson Mandela is concerned and presents it in a manner that is respectful and stirring without feeling like it is getting
Bruce says: “I generally try not to review the big blockbusters but as a gigantic Superman fan I thought I could add my 2-cents-worth. I’ve seen SUPERMAN, SUPERMAN II, SUPERMAN III, SUPERMAN IV: THE QUEST FOR PEACE, SUPERMAN RETURNS, &
Jason says: “THE MACHINE is not the sort of science fiction movie that comes from someone who is, at heart, making a western, or because setting it in the future gives the FX guys a reason to make cool visuals,
Jason says: “This movie seems like it has no business being as good as it is – it’s a sweet, goofy thing that makes occasional ventures into crude adult territory, and the world of sentai action it’s set in demands
Chris says: “Linda Lovelace, star of the seminal mainstream porno DEEP THROAT, had a life story seemingly tailor-made for a biopic: plucked from obscurity, she became an instant, infamous celebrity, but paid dearly for it. LOVELACE revels in that dichotomy,
Bruce says: “LOVE FREE OR DIE begins with scenes at the 2008 Lambeth Conference, a once-a-decade get together for Anglican Bishops, a by-invitation-only event engineered by the Archbishop of Canterbury, Rowan Williams. One of the Bishops noticeably uninvited is Gene
