Chris says: “Following a decade working mostly in television (TOP OF THE LAKE), Jane Campion returns to feature filmmaking at the top of her game. This adaptation of a Thomas Savage novel set in 1925 Montana (but filmed in New Zealand,
Jeff says: “If you liked the Jeff Nichols/Michael Shannon collaboration in 2011’s TAKE SHELTER, you’ll probably find this little sci-fi thriller worth a look. The ending settles for some gee whiz special effects that sort of take the edge off
Thom says: “Unfortunately, this turned out to be Patricia Highsmith-light. There’s been quite a few high-quality films that have been made from her works including THE TALENTED MR. RIPLEY, THE CRY OF THE OWL (twice, even once by Chabrol), PURPLE
Jason says: “I admit, you can’t honestly look at Juan Solanas’s UPSIDE DOWN and call the writing much other than a mess – there really isn’t one thing in this movie that makes sense. But, on the other hand, I
Chris says: “This night-before-the-wedding comedy cannot transcend the simple fact that in the end, it’s a mishmash of BRIDESMAIDS and THE HANGOVER, even when you can sense a sincere attempt to be something more. Kirsten Dunst (whose sharp timing is
Jason says: “As hooks go, it’s tough to beat the one Lars von Trier uses to start MELANCHOLIA: The world ends in such slow motion that time almost seems to be standing still. It’s a fantastic scene of planetary destruction,
Chris says: “Had I seen MARIE ANTOINETTE ten years ago, I would have walked out the theater flushed and excited, declaring it my favorite of the year. Now, I know a little better to lavish such praise on what is
Bruce says: “Being a huge tennis fan, I approached WIMBLEDON with certain trepidation. Would this romantic comedy be as bad as I feared? The answer is ‘no, it wasn’t really bad at all,’ although it should have been much better.
