Michael says: “Arthur Harari, screenwriter for ANATOMY OF A FALL, has directed a film adapted from a graphic novel written by he and his brother Lucas, aptly called THE UNKNOWN. A science fiction tale only as a premise, the film explores
Michael says: “Marie Kreutzer’s GENTLE MONSTER could have been a great film, but by tackling a very difficult subject with a procedurally straight-forward tone undercuts some of the emotion. Still, there was a lot to like about this film about
Thom says: “It’s a bit of a stretch to include this in an LGBT film festival, although one of the characters (maybe two?) is certainly homosexual. But, then again, director Lifshitz did make the rather confusing COME UNDONE, as well
Chris says: “I love cities and have never not lived in one; however, reasonable proximity to a botanical garden, natural reserve or even a leafy neighborhood park is essential. To spend an hour or the better part of an afternoon
Chris says: “In past films like SAINT LAURENT and NOCTURAMA, I’ve admired director Bertrand Bonello’s approach and elements of his heightened style without finding them complete or entirely convincing. His latest gets closer than ever to feeling whole but that’s
Brett says: “David Cronenberg returns to his ‘Cronenbergian ways’ in this film full of his body horror, shock and awe oddities that delight some, deter others, and appall … well, everyone. That’s not to say CRIMES OF THE FUTURE is
Michael says: “I sure hope you got to see this when it had its very successful run earlier this year in the theaters. Greek director Yorgos Lathimos (DOGTOOTH; ALPS) brings us his first English-language film, a hilarious, dark, and pointed
Diane says: “Or, by its more appropriate international title ADELE: CHAPTERS 1 AND 2. A.k.a. the three-hour lesbian sex movie. “I had expected a happy movie: girl discovers her sexuality, finds a thrilling blue-haired partner who opens her eyes to