Bruce says: “After scoring big with his last two films, READ MY LIPS and THE BEAT THAT MY HEART SKIPPED, the buzz at Cannes this year was that Jacques Audiard’s A PROPHET would walk away with the top prize; instead
Ibad says: “I managed to catch this in theaters the other night before going home for the holidays. I don’t have a full length review or anything, but I figured a few scattered thoughts might be of interest to people
Michael says: “I often go through a brief film malaise in the early part of the year. Between catching up to vote in the Chlotrudis Awards and the general lack of quality films released in the beginning of the year,
Michael says: “Rebecca Miller’s THE PRIVATE LIVES OF PIPPA LEE came and went in theatres with barely a notice, which is unfortunate, because it’s a beautifully crafted film with sharp writing and terrific performances from the likes of Robin Wright
Jason says: “It’s not that I didn’t think much of video games as an art form before seeing PLAYING COLUMBINE; I just tended to think of them as more of an abstract art form. I would respond to complaints from
Michael says: “Nicole Holofcener’s films, which explore relationships, most often between women; friends, sisters, mothers and daughters, have yet to let me down. From her spare, hilarious debut, WALKING AND TALKING, to her most recent, just-released PLEASE GIVE, Holofcener and
Thom says: “This is the 2nd time I’ve seen this film which leads me to (unverifiable so far) believe that this is the 2nd time around for this film as a screener. Ostensibly it’s a film made by the daughter about
Thom says: “For shame on the movie’s producers inability to get this released in theaters, especially because super-talented Cillian Murphy deserves all sorts of awards for his spectacular work here. Yes, it’s reminiscent of Jeremy Iron’s work in David Cronenberg’s
Jason says: “‘Pelada’ means ‘naked’ in Portugese, but this is not that kind of movie. Instead, the title refers to a slang term for pick-up soccer, fitting because when played that way, it’s often the game stripped down to its
Jason says: “Most documentary features that get any sort of play beyond local public television do because not only are they generally well-made, but they have important subject matter; someone programming a film festival or a boutique movie house decides