Jason says: “RAMMBOCK is far enough outside what usually the parameters of what shows up on multiplex screens – a low-budget German horror movie so short that only an hour and fifteen minutes passes between the lights going down and
Jason says: “There should be more chess movies, although there are probably more than I think because I just haven’t gotten around to seeing many (I remember Siskel & Ebert raving about FRESH, but I missed it). It’s a game
Jason says: “PUNISHED levels with the audience pretty quickly, opening with two scenes that don’t say everything but make it clear that this movie is less about resolutions than the process of getting there. Later on, it spells out just
Jason says: “Congratulations, Usama Alshaibi. You’ve managed to make spiritualism, Islamic mythology, and kinky sex boring in one brief eighty-minute feature. That’s quite an impressive accomplishment, considering that most of the movie doesn’t seem interested in accomplishing much of anything.
Thom says: “Earlier on in the beginning of his career Ozun showed he might well be on the way to become one of the great French directors but lately he seems to have lost his way. I was fascinated, while
Jason says: “POINT BLANK is not a French remake of the classic 1967 John Boorman flick that starred Lee Marvin; that would require being mean down to its very bones, and this one is a shade or two warmer than
Bruce says: “For twenty years Wim Wenders and Pina Bausch planned on making this documentary. Wenders could not get started on the project because he could not figure out how to put her choreography on film. Finally, he decided to
Ibad says: “POETRY is a fascinating and often heartbreaking story focusing around an older woman desperate for fulfillment, vision, and control over her thoughts and memories. At the center of it is a behemoth of a performance by Jeong-he Yoon,
Jason says: “In most zombie/contagion movies, the point where the tension really cranks up is when, after braving the various horrors to get to what should be a safe place, the characters discover that the greatest danger isn’t out there;
Chris says: “For film festivals from Cannes to Toronto, it’s usually a safe bet that the opening night film will not be the fest’s pick of the litter. Those selected for the Provincetown International Film Festival (now in its 13th