Jason says:v”Jim Mickle’s first feature (also with co-writer/star Nick Damici), MULBERRY STREET, was a low-budget and do-it-yourself as you’re going to see, and pretty impressive even when not grading on that sort of curve. STAKE LAND doesn’t quite represent a
Diane says: “Oops! Why did I think this would be good?” Jason responds: “Well, because of Duncan Jones, I imagine. And because Jake Gyllenhaal is pretty good at this sort of action/adventure movie, and there’s a nice supporting cast
Jason says: “Most of the time, when the modern westerner encounters or hears of polygamy, it’s an individual case, and thus he or she thinks about the individual psychology involved. Make it more commonplace, though, and a numbers issue emerges:
Jason says: “Did Khavn de la Cruz and Michael Noer stumble upon a potentially fascinating movie by pure chance while walking around the streets of Manila? Or did they know about the subject and gracefully insinuate themselves? Or were things
Jason says: “The phrase ‘returning to the scene of the crime’ is generally used during the investigation of a mystery, but if you take a broader view of what the ‘scene’ is, almost every criminal does it eventually. It’s just
Michael says: “Peter Stormare gives a remarkably restrained performance as a small-town cop trying desperately not to give in to a violent past while investigating a local murder that touches close to home. Echoes of FARGO abound, in this economically
Jason says: “Believe it or not, two movies came out in Europe where the real Santa Claus was a murderous supernatural monster. Finland’s RARE EXPORTS zipped through the festival circuit and appeared in the U.S. at the same time it
Bruce says: “THE SKIN I LIVE IN is an adaptation of the French novel Mygale by Thierry Jonquet. Judging from what I have read about the novel, Almodóvar’s adaptation is a very loose one. For a decade I have wished
Jason says: “SILENT SOULS is an art-house movie, more obviously filled with more symbol than story; it’s deliberately oblique at times. In many cases, movies like that want more from their audiences than they’re willing to give, but this one
Michael says: “Michael Fassbender plays Brandon, a successful businessman who lacks any meaningful relationships due to his sexual addiction. His carefully constructed life is thrown into turmoil when his sister Sissy (Mulligan) returns. Despite some high profile awards and some