Jason says: “There are many varieties of ‘edgy,’ but most can fit within two broad categories: Those that make a mainstream viewer say ‘ewwwww!’ and those that make that same mainstream viewer say ‘what the hell?’ There is, as one
Chris says: “I’ve always struggled with war films (both fictional and docs)—it’s possibly my least favorite genre. But I loved THE HURT LOCKER and if this isn’t exactly its real-life equivalent, that’s fine because it aims for something else. Not
Jason says: “THE REVENANT is nearly two hours, long for a splatter-comedy, and if I could come up with a good suggestion for trimming it, I would probably offer it. The trouble is, the scenes which could probably survive a
Jason says: “The finale of a series never stands up well on its own, no matter how well-intentioned the production may be. One can argue that it shouldn’t, that by the time we get to the third act, the only
Jason says: “David Peace’s Red Riding novels are described as a quartet, and if you look at the titles to the filmed RED RIDING HOOD TRILOGY, there’s clearly a hole where 1977 should be. For whatever reason, screenwriter Tony Grisoni
Jason says: “RED WHITE & BLUE takes its time messing the audience up. Even the big event that pulls everything together takes a few scenes to really sink in, as we connect just what’s been going on with a growing
Jason says: “The RED RIDING trilogy is a daunting prospect, especially if one is inclined to see it during its brief American theatrical release as opposed to as a video on demand offering or on DVD. I’d recommend it, as
Thom says: “The original [REC] is considered a classic amongst the horror set and it was even remade in the United States as QUARANTINE, starring ‘Dexter’s’ wife. This, then, is the ongoing story. It’s very scary and fabulously entertaining but
Jason says: “RARE EXPORTS appears to be the third go-round that Finnish director Jalmari Helander and his brother Juuso have had with this basic idea, with the previous iterations apparently being punchline-driven shorts. This one, on the other hand, is
Jason says: “Say ‘Bollywood,’ and most American audiences will think of cheerful musicals with weddings and happy endings. That’s not likely to be the entirety of a large country’s film output, of course, and Ram Gopal Varma has built a