Brett says: “A person kills herself/himself and then a stage play breaks out. So, it’s Chekhov or Ibsen in reverse, right? Throw in a seance to bring back said dead person from the grave and BROOKLYN 45 might just fit
Jason says: “It’s funny which little details will make a movie really work for someone. Take WE ARE STILL HERE, for instance; it’s quite a well-executed ghost story with a nifty cast, good for a decent star rating even if
Jason says: “JUG FACE is the sort of horror movie that I often have trouble with, where any hint of supernatural activity actually seems somewhat deflating, as there’s plenty of real-world unpleasantness at work. It’s done well enough to overcome
Jason says: “There’s a case to be made for THE BATTERY although it involves an premise that I’m not hugely fond of – that the filmmakers aren’t really making a zombie movie, but exploring the bond and antagonism that form
Jason says: “I must admit – I’ve completely lost the ability to tell genuine evangelical Christianity from satire of the same. I say this not to disparage the people who find comfort and strength in their faith, just to point
Jason says: “I SELL THE DEAD is one of those movies that sits somewhere between comedy and horror and threatens to be neither one. The horror elements are rooted in the familiar rather than the unknown, but there’s often enough