Jason says: “When trailers for THE GRAND BUDAPEST HOTEL first started appearing a few months ago, I felt some apprehension. Not so much because I often think I like director Wes Anderson less than I do, but because a large
Bruce says: “Gore Vidal was one of the great characters of our time and one of the greatest minds of the past century. He invariably saw through the smoke and mirrors and was able to succinctly summarize what was going
Jason says: “My second impulse where Jean-Luc Godard’s GOODBYE TO LANGUAGE is concerned is to write nothing at all about it. That’s in large part because my first is to cry that the emperor has no clothes, but I think
Jason says: “There are moments, especially toward the end of GOD’S POCKET, when I wonder if John Slattery has made a Trojan Horse of a movie, giving an audience expecting an honest-but-affectionate story about earthy folks in a tough neighborhood
Jason says: “Most of the descriptions of Xiao Hong biography THE GOLDEN ERA spend some time talking about what made her remarkable as a writer, and the film does give those of us not terribly familiar with 1930s Chinese literature
Jason says: “GOD HELP THE GIRL is hardly the first time someone has taken a set of songs with an existing strong narrative and made a movie out of them, and as such not the first to demonstrate that slavish
Kyle says: “Every year in late March, the Film Society of Lincoln Center and the Museum of Modern Art co-produce a festival called New Directors/New Films. Screenings take place at the FSLC’s Walter Reade Theater, and at MoMA’s Ray and
Kyle says: “I would love to recommend GIRL ON A BICYCLE to fans of quirky European-flavored romantic comedies, but my heart would not be in it. This kind of cute is killing to my soul. “Paolo (Vincenzo Amato) is a
Jason says: “There’s a whiff of nostalgia to the start of GIOVANNI’S ISLAND, although it’s more for childhood in general than the yearning for simpler, presumably better times that can often infect Japanese cinema, but that passes. Indeed, it’s hard
Jason says: “There was applause in the theater at the end of GIMME SHELTER and even if I don’t think it’s a particularly impressive movie, I don’t begrudge anybody that reaction. Who doesn’t want to applaud a shelter that helps
