Jason says: “Is there a term for when directors like Pang Ho-cheung who have thrived, maybe not on the edge, but certainly in a part of the film industry where things are less polished and more open to eccentricity, do
Jason says: “9-MAN was the second film at the festival built around Chinese-American themes and it turns out to be an excellent pairing with THE SEARCH FOR GENERAL TSO: Where TSO mainly concerned itself with history and adaptation, this movie
Jason says: “Someday, Alex & Katie Orr’s first-born child is going to see this movie, and in my head it’s running fifty-fifty on whether they’ll have some explaining to do our whether they’ll just be the sort of weird parents
Julie says: “This one should have been nominated for buried treasure! I loved this! “Have there been any other Paraguayan movies that our group has seen? There are not a lot of them out there. “The film had some brilliant
Kyle says: “The closing night screening of the 43rd New Directors/New Films fittingly offered the feature film debut of British directors Iain Forsyth and Jane Pollard — a documentary on Australian musician/composer/screenwriter/novelist/actor Nick Cave. Many fans admire him for his
Jason says: “How prolific is independent filmmaker Joe Swanberg? His latest movie (as a director) started showing up on the festival circuit before his prior one hit theaters, and DRINKING BUDDIES wasn’t nearly as slow in moving through the system
Jason says: “Sometimes you see a movie and don’t realize what it was missing until decades later, when someone else tries something similar but with an added extra ingredient. Such is the case with THE 100 YEAR-OLD MAN WHO CLIMBED
Jason says: “That ZULU Is basically a mismatched-cop movie is not something that should be held against it; that’s a field-tested template which could prove a little more interesting than usual given this film’s South African setting. There’s usually something
Jason says: “If I were the type of person to walk out of movies (and could have done it without disturbing the rest of the audience), I would have bolted ZERO CHARISMA. That’s not to say it’s a terrible movie;
Jason says: “I’ve got to confess: When I hoped for more Detective Dee movies after seeing MYSTERY OF THE PHANTOM FLAME a couple years ago, I didn’t really think I’d get them. Happily, it seemed the people of China also