Jason says: “Though it’s not uncommon to encounter one that makes a good case for its greater length at all, most horror movies would be best served running seventy-five to eighty minutes, long enough to set a story up, make
Jason says: “Give PROXY filmmaker Zack Parker this: Unlike many movies that wind up labeled ‘horror’, his delivers something that its audience will want to put out of their heads afterward because it doesn’t bear thinking about. Unfortunately, he keeps
Jason says: “It sometimes feels like Jenée LaMarque could have done more with THE PRETTY ONE; the idea of one identical twin taking the place of the other is certainly not new, but it’s the sort of plot device that
Jason says: “Wilderness survival movies don’t get much more basic than PRESERVATION, which takes this budget-friendly premise and builds a passable movie out of it. It’s not going to change the genre, or even necessarily stand out as particularly innovative
Jason says: “If they have any ambition at all, both good and bad time-travel movies make the viewer’s head hurt a little bit thinking about how the plot fits together; the good ones make the us like it. By that
Jason says: “PING PONG SUMMER could probably stand to be cut down to half its length, which is a bit of a problem because it only runs 92 minutes as it is. Maybe the time it spends hanging out with
Jason says: “That they can be given names as generic as PIRATES OF THE CARIBBEAN or, in this case, just THE PIRATES without fear of confusion means just one thing: There are not enough pirate movies being made these days.
Chris says: “Roy Andersson makes movies that could come from no other director. I suppose most film buffs can detect plentiful influences on his style: the more overtly comic works of Luis Bunuel and David Lynch, naturally fellow Swede Ingmar
Jason says: “GRAND PIANO is evidence that, with enough creativity and energy, a clever filmmaker can make an exciting thriller out of what may seem like unlikely activities and situations. In this case, it’s a man playing classical piano before
Jason says: “Science fiction on film often tends to be action-oriented, even when the filmmakers would really like to be focusing on an idea, if only because an hour and a half of someone spewing jargon is not a natural