Jason says: “Brian Wilson and the Beach Boys made some of their best songs (and one of pop music’s greatest albums) by meticulously – indeed, maniacally – piecing small fractions together that aren’t naturally found near each other, inventing what
Jason says: “A sequel to CROUCHING TIGER, HIDDEN DRAGON was supposed to open on Imax screens this weekend, but that seems to have fallen into some bizarre limbo. Still, as South Korea’s MEMORIES OF THE SWORD begins, one might naturally
Jason says: “The most impressive thing about MERCHANTS OF DOUBT may be the apparent lack of resignation on the part of its makers. It is, after all, a documentary that is well-researched, clear in its message, and attractively presented, but
Jason says: “There are plenty of reasons to be wary of ME AND EARL AND THE DYING GIRL from the start, it’s got a seeming tendency to be glib and self-aware in a way that doesn’t always do it many
Michael says: “I just enjoyed an odd little movie called MATCH written and directed by Stephen Belber (who wrote Richard Linklater’s TAPE). It stars Patrick Stewart, as a famed ballet dancer and choreographer, who now lives a solitary existence teaching
Thom says: “This entertaining sci-fi thriller reminded me a bit of 2013 multi-Oscar box office boffo returns GRAVITY, which was an original screen play. THE MARTIAN was adapted from Andy Weir’s bestselling novel. While this newish, Oscar-nominated film made less
Jason says: “More of this, please. “I’ve got no idea whether this reboot of Sweden’s JÖNSSONLIGAN franchise was popular enough to spawn sequels, but I want it to be. It’s a neat, tight little caper movie that introduces its characters
Jason says: “While, to a certain extent, murder is murder, a story that could be easily set in any era becomes much more fascinating when placed in a specific time, and not just because cell phones, GPS, and security cameras
Kyle says: “Maverick writer/director Larry Clark received an award from the Rome Film Festival in 2012 for MARFA GIRL, which has since made sporadic appearances at various international film festivals, before finally making its DVD and Netflix debuts in the
Jason says: “Hollywood stories can be self-indulgent or snide, depending on what sort of axes the people making them have to grind, rarely managing to hit the sweet spot in the middle. What they seldom are, though, is extraneous, but