Thom says: “It would be presumptuous of me to call myself a huge Jim Jarmusch fan but he certainly has had a large number of top-rated films with me including PATERSON, ONLY LOVERS LEFT ALIVE, BROKEN FLOWERS, COFFEE & CIGARETTES,
Chris says: “A genuinely inspiring story on its own, MAIDEN is further enhanced by its subject, Tracy Edwards, whom through considerable determination, chutzpah and luck managed to conceive of and lead the first all-female team to participate in the Whitbread
Chris says: “Given the copious bodily fluids on display throughout, I can see why A24 was sheepish to give this a wider release. David Robert Mitchell’s (IT FOLLOWS) only real flaw here is that he made a film that simply
Thom says: “This is exactly the type of film I look for in these troubled times. It is honest, compelling, and a true slice-of-life experience, but, that being said, it totally relies on Julianne Moore’s mind-boggling performance to carry it
Chris says: “Jessie Buckley is so damn good she altogether shreds and transcends this film’s standard “I wanna be a star” trajectory; almost as impressive is how the film itself nearly does the same with its not-entirely-expected, somewhat corny but
Michael says: “HONEYLAND was a remarkable documentary; I think it was my top film of the festival. Remarkably shot, incredibly edits, a real gem of a story that was somehow gifted to the filmmaker, HONEYLAND also illuminates a culture I
Chris says: “If a deep dive into the obscure world of 1960s industrial musicals doesn’t at least pique your interest, then this is not a documentary for you. If it at all does, however, you won’t mind spending ninety minutes
Thom says: Last year Ari Aster appeared out of nowhere with his first feature the terrifying HEREDITARY which ended up my favorite film of 2018. So I had enormous expectations for MIDSOMMAR & the viewing actually exceeded them. I was
Chris says: “Lynn Shelton’s first feature in five years (she’s directed a lot of TV in the interim) might be her best. Cynthia (Jillian Bell) and her partner Mary (Michaela Watkins) return to the former’s hometown of Birmingham, Alabama to
Chris says: “Putting aside its novel narrative hook (‘based on an actual lie”), THE FAREWELL is the latest in a long tradition of family wedding films; it’s also one of the more relatable, realistic depictions of such I’ve seen in