Kyle says: “OUT OF THE DARK starts with a thunderstorm, as a man hurriedly packs a suitcase, interrupted on his way out first by a phone call instructing him to burn what look like medical files, then by persistent pounding
Jason says: “As Fong Yang (Tang Wei) lays out the backstory for ONLY YOU in its opening fourth-wall-breaking minutes, I briefly wondered if it perhaps made a bit more sense with a Chinese background than in the original American movie
Thom says: “According to items I’ve been reading Ed Pincus is considered a seminal documentary film director, even so far as being called the Father of First-person Non-fiction Film. This biographical entry was made during the last period of Pincus’
Jason says: “I don’t know if OFFICE ever really gets back around to the question that kicks it off in a definitive way, or if where it winds up going instead is really as fascinating as the filmmakers would have
Jason says: “OJUJU is a zombie film from Nigeria, and there can be very little doubt that its place of origin is the most notable thing about it. Horror fans have seen this sort of movie a lot, usually done
Kyle says: “ODE TO MY FATHER is a Korean film about family promises and preservation at all costs. It is melodramatic in various ways, which may render it unpalatable to some Western tastes, for example, gratuitously slamming the audience with
Jason says: “Writer/director Joseph Sims-Dennett initially seems to start out with a private eye story with the background redacted before quickly evolving into something more sinister. It’s an intense stakeout thriller, if one that leans more toward how this sort
Kyle says: “OCTOBER GALE is a cracking little drama with a perfect dramatic arc in both narrative and character development. It is confined to a tiny private island near Toronto owned by widow Helen (Patricia Clarkson), who travels alone to
Jason says: “I enjoyed NOWHERE GIRL but I must admit to a sneaking suspicion that the filmmakers wind up saying less than they mean to even as they do so in singular, intriguing ways. Or is that simply criticizing the
Jason says: “Director Ken Ochiai was unusually candid in his Q&A after this film, and one of the things he mentioned was that Japanese movies like NINJA THE MONSTER are made with more than an eye toward the foreign market,