Chris says: “Winner of the John Cassavetes award at this year’s Independent Spirits, this low-budget indie reminds me a little of Jane Campion’s early work (particularly SWEETIE) in that it’s about familial relations and everything seems just a little off
Jason says: “I’m not sure how much of a coincidence it is that Priyanka Chopra’s most recent Bollywood film is getting is global release on a weekend when she has a fairly high profile in the United States – she
Jason says: “The previews for the American release of IP MAN 3 have been playing it up as Donnie Yen versus Mike Tyson, and that’s probably good marketing even if the former heavyweight champ is credited with a ‘special appearance’
Jason says: “I don’t know much about raising kids or autism, let alone the combination of the two, but I probably know just enough to find JACK OF THE RED HEARTS a bit more alarming than it was perhaps meant
Bruce says: “Filmed in black and white reminiscent of the 1960s, Philippe Garrel’s IN THE SHADOW OF WOMEN follows the dissolution of a marriage. Both husband and wife are having extra-marital affairs although they are happily married and deeply in
Bruce says: “Hany Abu-hassad would seem an unlikely director of a biopic. His earlier films, RANA’S WEDDING, PARADISE NOW, and OMAR have documented the effects of Israeli enforced apartheid on the Palestinian community. While THE IDOL has many of those
Jeff says: “Actually, I will be nominating Rima Te Wiata for Best Supporting Actress in the role of Bella, a big-hearted, back-to-the-land farmer and forager who brings a misunderstood child out of his shell. This is a fish-out-of water story
Jason says: “Ambiguity is a powerful tool for filmmakers and other storytellers if they can handle the challenges of using the same material to build two opposing narratives at once, and not just because pulling it off is an impressive
Bruce says: “David Hockney as a subject is fascinating, complicated and ever so broad. In the contemporary art world, he is nearly without peer, when one considers the breadth and consistent quality of his work. No documentary could truly do
Thom says: “The Coen Brothers have had a long, steady run of super-loved films that they have directed and they very rarely fail to hit my highest rating so that this palpably fun film didn’t achieve that fantastic distinction is