Jason says: “The trick to something like I WAS A TEENAGE SUPERHERO SIDEKICK is to do at least a little more than just poke fun at comic-book clichés, both because there’s no real accomplishment in replacing fun with smugness and
Jason says: “Christian Carroll hits a couple of things I really like in SUICIDE OR LULU AND ME IN A WORLD MEANT FOR TWO, enough that I can overlook its faults, probably better than many would. It’s a nifty little
Jason says: “Writer/director Partho Sen-Gupta takes certain things very literally in SUNRISE but it’s kind of a delight when he does, because the effect is nifty and exhilarating in the midst of a film that can use a bit of
Jason says: “You may have heard of director Debra Granik’s previous film, a great backwoods number called WINTER’S BONE that got a bunch of praise and is arguably the foundation for Jennifer Lawrence being as big a star as she
Chris says: “Destined to be remembered for its outstanding lead performance and little else, STILL ALICE is a competent literary adaptation about a Columbia University linguistics professor diagnosed with early onset Alzheimer’s disease. Dr. Alice Howland is a juicy role
Jason says: “Every once in a while, a movie will be built in such a way to make you forget what sort of film you came in expecting to see, usually so that it can get a jolt out of
Jason says: “SPOTLIGHT is not the sort of movie that is generally described as relentless, but what makes it great is that its makers are, in fact, unceasing and focused on their goal of depicting how a group of Boston
Jason says: “If I believed in guilty pleasures, I might count movies like SPARE PARTS among them, even though there’s not much worth feeling bad about where it’s concerned. Sure, it breaks almost no new ground at all, following its
Thom says: “A year before this film, Franco had directed a brilliant adaptation of William Faulkner’s AS I LAY DYING, putting to rest any doubts that the right talent wouldn’t be able to make a film from Faulkner’s difficult, mesmerizing
Brett says: “Not another holocaust film. SON OF SAUL is a look from within a World War II concentration camp, or perhaps better described as a series of passing glances from within. Director Lázló Nemes provides the insight into militant