Jason says: “There’s a vibe to SHADOWS ON THE WALL that suggests filmmaker Benjamin Carland is trying to make a PRIMER not just something with big ideas but a small cast and budget, but a tactile feel. Something where all
Thom says: “Almost everyone saw the delightful, life-affirming THE BEST EXOTIC MARIGOLD HOTEL & this sequel is more of the same; yet, with a disparaging finale. But the abundant treasures of the film just keep streaming along. Personally, I adore
Kyle says: “Anyone who dines on Chinese cuisine with any regularity has sampled General Tso’s Chicken. In fact, writer/director Ian Cheney of THE SEARCH FOR GENERAL TSO suggests it is the single most popular ethnic cuisine item in America aside
Jason says: “A nifty thing about SCHERZO DIABOLICO: It feels like a black comedy for much of its running time, but you’ll likely struggle to remember any actual jokes afterward. The comedy is almost entirely from the discomfort and absurdity
Jason says: “It’s often said, by those longing for a past golden age, that the movies were better decades ago when filmmakers had to deal with restrictions, whether imposed by the industry or communities – from pressure, the argument goes,
Kyle says: “LA SAPIENZA opens with an exquisite Italian lake shot accompanied by Claudio Monteverdi’s six-part ‘Magnificat’ from 1610, transitioning into an Italian Baroque vista and a contemplation of architectural, sculptural, and painting details. We are watching the main titles,
Jason says: “RUROUNI KENSHIN: KYOTO INFERNO and RUROUNI KENSHIN: THE LEGEND ENDS were released within a month and a half of each other in Japan, emphasizing how they function more as a two-part sequel to 2012’s first film than as
Jason says: “I’ve been looking to make a ‘costume drama’ joke about this film ever since I first heard of it, but it initially didn’t quite seem appropriate – for the first half or so, this is mainly a very
Jason says: “This thing was the highest-grossing movie in the world last weekend, and I’m hoping like heck that China turning out for it in large numbers doesn’t give Hollywood any ideas. It’s vaguely worrisome enough that this sort of
Diane says: “Hey, fans of the book–you won’t be disappointed. I’ll be giving ROOM noms for Best Adapted Screenplay (happily, by the book’s author and Best Actress. This movie was as emotionally intense as any I’ve seen. As THE ROAD