Julie says: “I really liked this one! Great acting, pd,cin,use of music,story…..very well done and very interesting. I had no ideaa about the life and struggles of this famous musician. “One interesting side note is that when I was in
Chris says: “Further proof that one can make a movie about *anything*–in this case, twenty-plus pound swamp rats (technical name: nutria) infesting coastal Louisiana and beyond. Fun, educational (Wendell Pierce should narrate everything) and not for the squeamish. 3 cats“
Chris says: “I can’t overstate how terrific Elsie Fisher is as Kayla, an awkward, average fourteen-year-old who’s quirky enough to stand apart from any other similarly-aged protagonist you’ve seen before and also recognizable to an almost painfully universal degree. Delectably
Thom says: “This film appears to have been critically overlooked by almost everyone. Mike Leigh has to be considered one of the greatest directors currently working and his huge number of top-rated gems with me rings in at 13, including
Chris says: “I believe any work of art has the potential to be both ridiculous and sublime, however rarely one achieves such a tricky balance is. To its credit, FIRST REFORMED is often firmly the latter—the austere opening credits sequence with
Chris says: “If anything, Nadine Labaki has a talent for coaching great performances from child actors: Zain Al Rafeea, the 12-ish-year-old lead is exceptional for his age, but one-year-old Boluwatife Treasure Bankole nearly goddamn steals the show from him. Loses
Chris says: “Not to diminish all the great moon-landing footage, what stuck with me most here was the first half-hour: a fascinating time capsule of what this country and its people looked like fifty years ago, restored to appear as
Chris says: “Ephemeral but heartfelt and engaging, particularly whenever it shows the dialogue occurring organically between the Preservation Hall Jazz Band and the Cuban musicians (it spends a little too much time telling us about it.)”
Chris says: “Jia Zhangke’s last film, MOUNTAINS MAY DEPART is my favorite of his assessments of how much China has evolved in his lifetime; although this repeats many of that film’s tropes (plus sneaks in a callback to STILL LIFE,
Thom says: “One of my favorite things about seeing films is when I cash in on someones recommendation and the film blows me away. Such was the case from Chlotrudis reporters for their strong reviews of this sharp indie winner.