Jason says: “HIGH-RISE carries so many illustrious pedigrees, such as the novel by science fiction author J.G. Ballard, and a committed performance by star Tom Hiddleston, and its press notes are filled with so many adjectives such as ‘ambitious’ and
Jeff says: “The next movie from director Jeremy Saulnier, responsible for 2013’s BLUE RUIN, GREEN ROOM once again throws a bunch of regular guys into horrific circumstances (heroin-manufacturing Nazi skinheads, homicidal dogs), and lets them improvise a way out (as
Jason says: “When I saw the first FROM VEGAS TO MACAU at a festival a couple years ago, I figured that I was just a victim of bad expectations, not prepared for something so silly, especially thinking of Chow Yun-fat
Bruce says “As he did with the Hermitage in RUSSIAN ARK, Sokurov takes on the Louvre mixing art, history and folklore. In spite of meandering – as a Sokurov film is wont to do – the focus ultimately settles on
Chris says: “Not sure if this will get any kind of distribution, but this IFFBoston title blew me away with its intensity, neorealism, and nuanced approach to its subject matter. It concerns a storefront Pentecostal church in Memphis and a
Jason says: “The professional sports industry churns out a tremendous amount of non-fiction films every year, and the number is probably only going up with the sheer number of cable sports channels with time to fill, especially during the off-season.
Michael says: “Just watched a pretty accomplished film called THE FAMILY FANG, starring Nicole Kidman and Jason Bateman, directed by Bateman. This offbeat tale looks at the Fang family, led by a pair of performance artists who put their two
Jason says: “What one often reads about Unmanned Aerial Vehicle strikes may lead such a person to believe that the way concern about collateral damage drives EYE IN THE SKY marks it as a fantasy, as does the stark, immediate
Jason says: “The shots of present-day ruins that open EMBERS are a reminder of sorts that worlds end all the time, on the scale of individual hopes and dreams, though those tiny apocalypses are often part of a greater calamity.
Jeff says: “If Peter Greenaway is your cup of tea, you’ll rank this right up there with his best. As usual his painterly eye makes for some gorgeous visuals, and Elmer Bäck creates a wonderfully louche Eisenstein.” Bruce says: