Bruce says: “NOCTURNAL ANIMALS brings as layered and complex a narrative as anyone will find this year, combined with an unapologetic visual style that accents every complex fold of the plot. Added to the vision of Tom Ford as it
Jason says: “I wasn’t really looking forward to NEW YORK NEW YORK; the trailer made it look like yet another nostalgic Chinese romance, and not a particularly involving one. And yet, once it gets past its opening flash-forward, maybe even
Lorraine says: “NO GREATER LOVE is ending a festival run but will be making a theatrical run and I want to put it on your radar. “It played in the Beaufort Film Festival. I missed the screening but met the
Thom says: “Alex de la Iglesia is such a fun director that I think about him all the time. For some 23 years now he has consistently gone the extra mile to make extravagant rich entertainments that are delightfully complex
Kyle says: “MOUNTAINS MAY DEPART is only the eighth feature film by iconoclastic virtually legendary Chinese director Jia Zhangke. According to his own words during a New York Film Festival Q & A last fall, he had thought about not
Jason says: “I’ve read that the English-dubbed version of MONSTER HUNT (releasing at about the same time the original Mandarin version hits the United States) cuts a few scenes, including one where dog meat is seen offered for sale in
Michael says: “Barry Jenkins second feature film, following the delightful, indie romance, MEDICINE FOR MELANCHOLY, is a bit of a visual poem, exploring race and sexuality in a way that at first glance might seem straightforward, but is surely something
Jason says: “Believe it or not, this is not the first Chinese fantasy sequel I’ve seen where not having seen the predecessor was no big deal because it starts with ‘500 years have passed…’ This is a good thing, because
Jason says: “William Monahan’s new film is right on the line between the crime movies where the filmmakers are aware of the genre’s tropes and can therefore share a wink as it uses or avoids them and the movies which
Jeff says: “If you liked the Jeff Nichols/Michael Shannon collaboration in 2011’s TAKE SHELTER, you’ll probably find this little sci-fi thriller worth a look. The ending settles for some gee whiz special effects that sort of take the edge off