Michael says: “THE INTERVENTION also has a summary that might give you pause.Ruby and Peter join three other couples on a holiday weekend at a beautiful family home in the bayou, but discover that their friend Annie has engineered the
Chris says: “Barry Jenkins’ follow-up to MOONLIGHT is nearly that film’s sequel in that it further showcases his considerably humane approach to character and story even as he adapts someone else’s text (in this case, a James Baldwin novel.) The
Brett says: “VOX LUX is a demolition derby of themes that keep colliding after the initial premise is introduced. Just when the viewer thinks that he/she has a finger on what this movie is, another head-on impact from writer/director Brady
Thom says: “My friends all know I love horror films even though a high percentage of them are atrocious. This was supposed to be a one-off on my recent trip to New York but despite the GROUNDHOG DAY rip-off HAPPY
Chris says: “Cutting back and forth between concert and cinema verité footage is initially somewhat jarring, particularly for those who know little about Jones’ life offstage (i.e., most viewers). Fortunately, the latter’s contrast with the former grows more compelling as
Diane says: “The reason I went to see MID 90S, Jonah Hill’s directorial debut, was so I could admire Sunny Suljic’s hair again. (Sunny was the sweet little boy in KILLING OF A SACRED DEER.) Here Sunny plays Stevie, a
Beth CA says: “This film is interesting, and it’s worth watching because of the subject – and the video and photographic footage was excellent. However, when a film aims to document an artist’s life and work, the film ought to
Chris says: “A stranger-than-fiction doc even *more* fun than but almost disturbing as CAPTURING THE FRIEDMANS? No wonder it’s the feel-good-then-feel-bad indie hit of the summer. The first half hour or so is immensely entertaining; the increasingly wacko plot twists
Chris says: “Fairly pedestrian for a profile documentary—more worthy of CNN than a theatrical release, really. But Andre Leon Talley’s personality is welcome in almost any setting. Just as he nearly stole the show from no less than Anna Wintour
Chris says: “Starts off a little boring and leaden, with two rich girls(Olivia Cooke and Anya Taylor-Joy, both very good) in a passive-aggressive pas de deux. It achieves some focus once the what-to-do-about-the-creepy-stepfather problem is established—a narrative we’ve seen too