Thom says: “It’s not often that a non big-budget film stars 4 actors who are must-see and the italicized 4 here are all terrific in their roles. Director McGuigan is surprisingly not well-known by me, and yet, amazingly, I’ve seen
Thom says: “This got a big publicity push earlier this year and was a minor success. A coming-of-age story about a gay teen boy just coming out is as sweet as all-get-out. Simon is an adorable boy with terrific parents,
Thom says: “I’ve seen three of director Chu’s previous efforts: STEP UP 2: THE STREETS, STEP UP 3D, & NOW YOU SEE ME 2, nothing particularly memorable in professional talents but maybe he was right for this project. The fun,
Thom says: “I had high expectations from this film as director Webb was responsible for one of the better indie films of 2009 in (500) DAYS OF SUMMER, & the film has an outstanding cast but the mediocre script &
Thom says: “This shows me to be the old curmudgeon buzz-killer but I found this sappy love story to be pure hokum. Helen Mirren & Donald Sutherland are both highly trained and professional actors and she especially embraces her part to
Thom says: “Here’s another director that I’ve seen all of his mediocre films: CRANK, CRANK: HIGH VOLTAGE, GAMER, & GHOST RIDER: SPIRIT OF VENGEANCE & yet I still went out on a limb to see this film because it looked
Thom says: “Back in the early days when I first embraced Film Movement when I discovered them while a volunteer worker at the Oakland Public Library, I saw all their releases I could find either at the libraries in Oakland
Chris says: “Leave it to Claire Denis to open her latest by saddling Juliette Binoche with one heck of a blowhard beau and close it on an extended conversation between Binoche and Gerard Depardieu, decidedly *not* her beau (his actual
Thom says: “French director Olivier Assayas has been something of an in-and-outer director for me but his best films are indeed world class brilliant. I loved CLEAN (2004), SUMMER HOURS (2008), CLOUDS OF SILS MARIA (2014), & especially DEMONLOVER, my
Brett says: “CLIMAX is the sensory blasts of horror from Edgar Allan Poe copulating with the maniacal and unrelenting beats of modern dance and music. Just when you think Gaspar Noé surely can’t do it again, you experience the mind