Michael says: “Sadly, despite some strong performances by Ryan Reynolds, Scott Speedman, and Mireille Enos, Egoyan’s latest film THE CAPTIVE, became the first of his films to disappoint me. Billed as a psychological thriller, had it stayed in that realm it
Brett says: “I’m sure I’m not the only one who has thought of this by any means, but a piece of advice about Steven Spielberg I always told friends in my younger days was that you should find out the
Michael says: “Here’s a Guatemalan horror film that features the Central American legend of ‘the wailing woman’ a spirit who returns to avenge an injustice to women, but uses the the actions of a military government that resulted in the
Diane says: “Director Rossana Díaz Costa gets her own adaptation of this preeminent Latin American novel on screen in time for the novel’s 50th anniversary. Julius is the youngest of four children in a wealthy family living palatially in Lima, Peru
Diane says: “Debut feature by French-Colombian filmmaker Melanie Delloye. Siblings return home to their 80-year-old father’s mansion in Reims to persuade him to sell the house–for his own good, of course! The family members are leery of each other, and
Diane says: “First film from collaborators Scott Monahan and Dakota Loesch, ANCHORAGE was shot in five days with a crew of ten. The director and writer also play the two leads, brothers who hit the road to sell a huge
Diane says: “In Joachim Trier’s latest film, the lead from his OSLO AUGUST 31ST (2011), Anders Danielsen Lie, almost steals the show from the main character. But I’m not complaining. Lie plays comic book author Aksel, the first serious relationship
Diane says: “RIDE THE WAVE (Martyn Robertson directs his debut doc) had something for both me and my sweetheart!: Scotland and surfing. WAVE hits highlights and lowlights of three years with Ben Larg, a young Scottish surfer who competes on
Diane says: “In WE BURN LIKE THIS, Rae, a young woman living in Billings, MT, calls upon her heritage of survivorship to begin to face childhood trauma and present-day addictions. Filmmaker Alana Waksman packs a little too much thematically into
Diane says: “Director Celine Sciamma (GIRLHOOD, PORTRAIT OF A LADY ON FIRE) disappoints with a slight take on a mother-daughter relationship. Eight-year-old Nelly tries to understand her mother’s depression, especially now after the death of her grandmother. On the long