Thom says: “There’s already serious Oscar talk for Glenn Close as Best Actress of 2011 & I wouldn’t make a big stink if she won. I’ve always like Glenn Close and she’s quite good here. But the problem with her
Bruce says: “Having seen Yousry Nasrallah’s earlier films THE AQUARIUM and SCHEHERAZADE: TELL ME A STORY, I now know what to expect. His films tell multiple stories, usually involving clashes between classes, religious groups and the old and new Egypt.
Jason says: “I’ve never played the Phoenix Wright: Ace Attorney video game, but I gather it’s just as deeply silly as Takashi Miike’s adaptation, which I submit must be a good thing. I also suggest that it’s quite possible that
Jason says: “Sequels to independent films that didn’t really break out are kind of odd things; the audience is as much those who heard the first movie was pretty good as the people who loved it, so even more than
Jason says: “If ZONAD ever started to make a lick of sense for even one second, it probably wouldn’t work. Fortunately, filmmakers John & Kieran Carney are well aware of that, and while they have managed to put something resembling
Jason says: “WINDFALL was not quite the movie I expected to see. The usual narrative about wind power here in Eastern Massachusetts involves liberals who support green energy until it threatens to become a part of their expensive sea views,
Jason says: “A few years ago, one of the documentaries that played IFFBoston (on, I believe, the same screen at roughly the same time) was a film by the name of THE LINGUISTS, about linguists seeking out dying languages before
Jason says:”THE WARRING STATES is the sort of movie that, for one reason or another, only China seems to make: The period melodrama about the clash of nations and individuals, with playful comedy existing side-by-side with romance and horrible betrayal.
Jason says: “As the English-language title suggests, TRUE LEGEND is based upon an actual historical figure, although I strongly suspect that he is, as they say, being ‘used fictitiously.’ After all, you don’t go to a Yuen Woo-ping movie for
Jason says: “When Cristian Mungiu last took audiences to Romania before the fall of communism, he gave us the tense, oppressive 4 MONTHS, 3 WEEKS and 2 DAYS; it seldom referenced the Ceaușescu regime directly, but still managed to perfectly