Jason says: “Sequels to independent films that didn’t really break out are kind of odd things; the audience is as much those who heard the first movie was pretty good as the people who loved it, so even more than
Jason says: “If ZONAD ever started to make a lick of sense for even one second, it probably wouldn’t work. Fortunately, filmmakers John & Kieran Carney are well aware of that, and while they have managed to put something resembling
Jason says: “WINDFALL was not quite the movie I expected to see. The usual narrative about wind power here in Eastern Massachusetts involves liberals who support green energy until it threatens to become a part of their expensive sea views,
Jason says: “A few years ago, one of the documentaries that played IFFBoston (on, I believe, the same screen at roughly the same time) was a film by the name of THE LINGUISTS, about linguists seeking out dying languages before
Jason says:”THE WARRING STATES is the sort of movie that, for one reason or another, only China seems to make: The period melodrama about the clash of nations and individuals, with playful comedy existing side-by-side with romance and horrible betrayal.
Jason says: “As the English-language title suggests, TRUE LEGEND is based upon an actual historical figure, although I strongly suspect that he is, as they say, being ‘used fictitiously.’ After all, you don’t go to a Yuen Woo-ping movie for
Jason says: “When Cristian Mungiu last took audiences to Romania before the fall of communism, he gave us the tense, oppressive 4 MONTHS, 3 WEEKS and 2 DAYS; it seldom referenced the Ceaușescu regime directly, but still managed to perfectly
Diane says: “A film about the pervasive anxiety in our world, through the story of one man’s mental illness. On the literal level, this movie is good at showing the stigma of mental illness and the chaos of delusional disorders.
Jason says: “Did Khavn de la Cruz and Michael Noer stumble upon a potentially fascinating movie by pure chance while walking around the streets of Manila? Or did they know about the subject and gracefully insinuate themselves? Or were things
Jason says: “SILENT SOULS is an art-house movie, more obviously filled with more symbol than story; it’s deliberately oblique at times. In many cases, movies like that want more from their audiences than they’re willing to give, but this one