Jason says: “FOR LOVE’S SAKE is the sort of crazy mix of adolescent emotions that seem over-the-top when you describe it, often going from pure sweetness to eye-rolling to angry violence in the very same scene. It’s just what one
Jason says: “FOLKLORE is the sort of comedy that will, over the course of the film, tell the audience about a hundred jokes in the hope that enough hit to make the whole thing worth it. It’s got a hit
Jason says: “It sort of makes sense when Hollywood makes a movie about something that happened outside the borders of America and Europe but makes a white guy the protagonist – silly, but understandable. When a Chinese filmmaker decides that
Bruce says: “Few stars are lovelier than the radiant Juliette Binoche. Her appeal is not superficial for she radiates an inner beauty that infuses her characters. As Anne, a reporter for Elle Magazine, Binoche adds another layer. She comes from
Bruce says: “Winner of three prizes at the 2011 Venice Film Festival, EASY! is a satisfying comedy about parenting and coming of age. Writer director Francesco Bruni, best known for his screenplay for CATERINA IN THE BIG CITY, demonstrates the
Jason says: “As much as I found the festival describing DIMENSIONS: A LINE, A LOOP, A TANGLE OF THREADS (to give it its full title) with ‘Imagine a sci-fi film on PBS’ Masterpiece Theatre’ to be a bit too glibly
Bruce says: “Diana Vreeland is a foolproof subject for a documentary. Famous for her remark to Norman Parkinson regarding his fashion photos from a photo shoot in India , ‘I adore that pink. It’s the navy blue of India,’ Ms.
Jason says: “Some things about DETENTION make me think that director Joseph Kahn isn’t just making a movie for young audiences, but taunting ones my age. A movie that asks ‘how hard is it to be cool in 1992?’ (my
Jason says: “There are many warning signs, but when the person hired to get electronic press kit/making-of footage for a movie comes to the producer and asks if she can hang around more and keep her footage because she thinks
Chris says: “Not exactly a return to form for Tim Burton, but easily the best remake/adaptation he’s done since his BATMAN films. Junk culture like a cheesy horror-laced soap opera seems closer to his heart than Lewis Carroll or Roald