Thom says: “Being a huge Josh Whedon fan (I’ve loved ‘Buffy the Vampire Slayer’, ‘Dollhouse’, ‘Firefly’, ‘Angel’, SERENITY, & hopefully THE AVENGERS I naturally had to see this with his participation in this horror film. First rate production and clever
Jason says: “It’s sad to say but true – Detroit has been known for its fires for a long time, and the recent economic tumult which has hit the Motor City especially hard has not slowed that activity down in
Jason says: “A friend of mine recently lamented on Twitter about the demise of the mystery movie in Hollywood, and the best thing I could point him to was a Chinese movie that will likely be more considered a martial
Diane says: “How nice that I didn’t need to know anything about chess to enjoy this film. As a matter of fact, I didn’t even learn anything about chess from it. “Another ‘let’s root for the school kids’ doc, BROOKLYN
Jason says: “BOOSTER doesn’t do a whole lot; it could almost survive with its plot removed. It’s the sort of independent film that comes across as authentic to those from its neighborhood and has a sharp enough read on its
Jason says: “BARBARA starts at an interesting place; others with its basic template will set things up, give the audience a sense of who its characters are before putting them in a new situation. Writer/director Christian Petzold goes a different
Jason says: “I’ve already seen and reviewed a couple of movies about Dominican ballplayers trying to make the American major leagues – one fairly lightweight documentary (RUMBO A LAS GRANDES LIGAS) and one feature (the excellent SUGAR) – so I
Jason says: “These days, there aren’t a whole lot of movies being made using animation because they wouldn’t work any other way; digital capture and effects have come too far, so even ambitious manga are done live-action now. There are
Jason says: “Is Álex de la Iglesia getting a little soft as he ages? Though he’s not credited with the screenplay here (nor is frequent collaborator Jorge Guerricaechevarría), it still seems a bit surprising that de la Iglesia, given material
Jason says: “After watching YOU ARE THE APPLE OF MY EYE, I learned that it was even more autobiographical than most coming-of-age movies; read a rumor that it was among the most elaborate attempts gestures ever made to declare one’s