Jason says: “HAUNTER is the kind of horror movie that is in many ways so well-built that it almost gets in its own way when someone sees it, likes it, and wants to recommend it: The film has a hook
Jason says: “I’m not quite sure what the rationale is for cutting a half hour out of GUILTY OF ROMANCE for non-Japanese audiences; Sion Sono’s fans have proven quite willing to sit through a long movie over the past few
Jason says: “HALLEY will be classified a horror movie by many, what with it centering on a representative of the living dead, but in some ways its hold on that genre is just a couple of fingertips at the end
Jason says: “For all the noir, caper, and pulp material I’ve consumed in my life, I don’t know how many times I’ve ever actually heard someone refer to the jewels they were looking to steal as ‘ice’, and I don’t
Thom says: “This Chlotrudis offering far out-met my expectations which is always a thrill for this inveterate viewer. Of course I’d seen PUMPING IRON (1977) back in the day, & was surprised probably as anyone at the continued career &
Kyle says: “The North American premiere of IP MAN: THE FINAL FIGHT, the second Hong Kong film about Ip Man directed by Herman Yau to be screened at the New York Asian Film Festival, contrasts both narratively and stylistically with
Jason says: “If you’re going to go through a time of self-doubt or regret, you could find worse surroundings than Fairhaven, Mass. It’s got the kind of snow dirt and smoke don’t seem to stick to, there are good friends
Jason says: “You wouldn’t think a genre as hyphenated as the indie-sci-fi-romantic-comedy would have enough entries to have staples, but ‘boy thinks he’s alien/time traveler/robot, making the girl who thinks he’s otherwise sweet uncomfortable’ pops up a fair amount. It
Jason says: “Idle question: When seeing a film about bullying – whether or not it leads to school shootings or not – is it considered a success on the part of the film makers or evidence that I’m a horrible
Jason says: “THE DEFECTOR is a documentary adventure of sorts – it embeds the filmmakers and audience in a situation that has very real danger as things happen, rather than having the filmmakers dig up what they can later. Sure,