Jason says: “THE COMPANY YOU KEEP can play a bit like a brute-force attack at times – sure, it’s kind of slow at times and eventually the audience winds up a couple steps ahead of the protagonist, but every ten
Michael says: “On a recent trip to New York City, we caught THE SECRET LIFE OF WORDS, Isabel Coixet’s (MY LIFE WITHOUT ME) latest film, on opening day. Coixet alum Sarah Polley stars as Hanna, a young deaf woman who
Beth says: “Sarah Polley’s directorial debut, an Alice Munro story, and a glorious Julie Christie – how could I miss it? And it didn’t disappoint – Christie and Gordon Pinsent play husband and wife grappling with how to handle her
Michael says: “You can feel the Miramax hand on Marc Foster’s FINDING NEVERLAND, which is a shame, although doesn’t disrupt the film all that much. One suspects that it would have had a lot of the same sentimental elements because
Michael says: “I have been eagerly anticipating this film because it featured three of my favorite movie types… Hal Hartley, Sarah Polley and Helen Mirren. “Buzz around this new film had been rather negative… largely, I think, due to the
