Kyle says: “Every year in late March, the Film Society of Lincoln Center and the Museum of Modern Art co-sponsor a festival called New Directors/New Films. Films screen at the FSLC’s Walter Reade Theater, and at MoMA’s Ray and Niuta
Jason says: “Well, there’s certainly no denying that BIG ASS SPIDER! delivers what it promises – that is certainly one big-ass spider menacing Los Angeles from the very start. For those that want maybe a little more to their movies,
Kyle says: “BECOMING TRAVIATA, or in its much better French title TRAVIATA ET NOUS, is a documentary on preparations and rehearsals for a production of Giuseppe Verdi’s beloved 1853 opera ‘La Traviata’ at the Festival d’Aix-en-Provence, starring charismatic soprano Natalie
Thom says: “Rarely does Film Movement introduce a film with a major actor like John Hawkes but the film did win the Silver Bear at the Berlin International Film Festival and certainly deserves a wider audience. This one is a
Jason says: “ANTISOCIAL is an impressive little horror movie that distinguishes itself by showing how it’s not necessarily what a movie does that matters, but how it pulls it off. Sure, the initial plot is built on a foundation of
Jason says: “ANIMALS is a coming-of-age story that perches right on the border between an impressive level of ambition and complexity on the one side and trying to do too much on the other. There’s a whole movie just in
Jeff says: “Ken Loach takes a page from the Bill Forsyth playbook in this small story of redemption. “We first meet Robbie (Paul Brannigan) in a Glasgow courtroom listening to a solicitor argue before the judge that despite his thuggish
Jason says: “I’m not sure what its Canadian filmmakers figure is so specifically American about AMERICAN MARY but, hey, whatever. Jen & Sylvia Soska have made an impressive little movie that may not exactly be horror but can certainly make
Jason says: “I had the feeling when I saw ACROSS THE RIVER (OLTRE IL GAUDO in Italian) that when the time came to expand the capsule I wrote for my blog to a full entry, I would not have a
Thom says: “The idea for this film is certainly clever enough and if tight enough reins had been applied it might well have been a classic but to choose 27 directors to make 26 short films, each choosing a letter