Kyle says: “THE GREAT WAR, DRUG WAR, COLD WAR, lots of movies about wars ancient, modern, political and imaginary: After dozens of these at the New York Asian Film Festival, it is a little confusing to remember which war is
Jason says: “I didn’t see BUSHIDO MAN quite at the midway point of the festival, but far enough in that it was clear some things were missing: Martial arts seemed to be in relatively short supply, for instance, as were
Kyle says: “About twenty years ago, I was complaining to a friend how formulaic and uninteresting most new American movies were, and he asked me if I was familiar with Hong Kong cinema. I said no, asking if he meant
Kyle says: “Every year in late March, the Film Society of Lincoln Center and the Museum of Modern Art co-sponsor a festival called New Directors/New Films. Films screen at the FSLC’s Walter Reade Theater, and at MoMA’s Ray and Niuta
Jason says: “Well, there’s certainly no denying that BIG ASS SPIDER! delivers what it promises – that is certainly one big-ass spider menacing Los Angeles from the very start. For those that want maybe a little more to their movies,
Kyle says: “BECOMING TRAVIATA, or in its much better French title TRAVIATA ET NOUS, is a documentary on preparations and rehearsals for a production of Giuseppe Verdi’s beloved 1853 opera ‘La Traviata’ at the Festival d’Aix-en-Provence, starring charismatic soprano Natalie
Thom says: “Rarely does Film Movement introduce a film with a major actor like John Hawkes but the film did win the Silver Bear at the Berlin International Film Festival and certainly deserves a wider audience. This one is a
Jason says: “ANTISOCIAL is an impressive little horror movie that distinguishes itself by showing how it’s not necessarily what a movie does that matters, but how it pulls it off. Sure, the initial plot is built on a foundation of
Jason says: “ANIMALS is a coming-of-age story that perches right on the border between an impressive level of ambition and complexity on the one side and trying to do too much on the other. There’s a whole movie just in
Jeff says: “Ken Loach takes a page from the Bill Forsyth playbook in this small story of redemption. “We first meet Robbie (Paul Brannigan) in a Glasgow courtroom listening to a solicitor argue before the judge that despite his thuggish