Jason says: “SLEEPWALK WITH ME may not have a large built-in audience, but fans of writer/director/star Mike Birbiglia and the National Public Radio segments from which this movie evolved may be the exact right niche for an independent film like
Diane says: “Acting Nom for Christopher Walken, as a gentle psychopath caring for his wife hospitalized with breast cancer. I’ve seen most of director Martin McDonagh’s plays, and his IN BRUGES, and I love his over-the-top combo of sweetness and
Jason says: “Believe it or not, SCHOOLGIRL APOCALYPSE is not the third Nobboru Iguchi film on the festival’s program, or a similarly cheery exploitation picture from a filmmaker of like sensibilities. No, it’s an often-impressive bit of stripped-down sci-fi/horror that
Jason says: “There are certain comedies where the viewer might realize that what’s going on really make no sense even as the absurdity unfolds on screen, but will consciously forgive it because this particular joke is worth that particular bit
Jason says: “RESOLUTION gave me the creeps, and while it’s easy to dismiss that as just what horror movies are supposed to do, take a minute to think of how many of the last ten you’ve seen genuinely did so
Jason says: “A popular game among festival attendees after REIGN OF ASSASSINS (JIANYU) was to try and guess just which parts were worked on by ‘co-director’ (and producer) John Woo. Certain elements of the action, certainly, although several pointed to
Jason says: “[REC] 3: GENESIS breaks with the previous films in the series enough that one almost wonders if director Paco Plaza had the idea for the movie and then figured that the benefits of folding it into [REC] continuity
Jason says: “From the name it’s been given in English, PUNCH, you might expect WON-DEUK-I to be an inspirational sports movie, and it’s got some of that in the later reels. In reality, it’s actually something closer to an inspirational
Jason says: “I sometimes wonder if Kim Ki-duk has a whole cache of unfilmed scripts on his laptop, turned out quickly because not writing dialogue for your main character saves a lot of time. It makes for a distinctive style,
Jason says: “One of two ‘underdog’ nominees for Best Animated Feature in last year’s Academy Awards, A CAT IN PARIS is at the very least as deserving than the other cat-themed feature nominated, although that undersells its charm quite a