Jason says: “MON AMI, despite its title, is in English, so its audience needn’t fret about having to deal with subtitles. It’s still rather off the beaten path, a buddy black comedy, with as much enthusiasm as gags involving grievous
Tom says: “It’s been 9 years since Bertolucci’s last film, the very disappointing THE DREAMERS, a film with a distinct lack of conviction, but the Italian master has been responsible for some of my all-time favorite films including THE COMFORMIST,
Jason says: “For what it is, MANBORG is damn impressive. Director Steve Kostanski estimates that he and his friends made the movie for about a thousand dollars, although I suspect that is the sort of estimate that severely underestimates the
Jason says: “LOVE is exactly the sort of movie that gets released for Valentine’s Day, which is when it showed up in Taiwan and a few larger American cities. It’s not a classic romance, but it sets the mood well,
Thom says: “A loving couple arrive in Georgia (the country) and absorb the local culture. They hire a local guide (a guide in real life who had to be coerced into acting in his first and last film) to take
Michael says: “Written, directed, and starring Josh Radnor (of TV’s ‘How I Met Your Mother’) offers a film revolved around nostalgia, and looking back at your college days as they high point of your life. Jesse (Radnor) is living an
Jason says: “It is, I suppose, unfair to judge this picture for not being conventional enough; it’s meant to be unusual and relatively plot-free. The question is, if you strip the basic building block of story away, what’s left? ISN’T
Bruce says: “Walls, barricades, checkpoints, barbed wire fences. These are prominent features in the West bank landscape and the areas that Palestinians must traverse to get from a refugee camp to a Palestinian village twenty five kilometers away. This fifteen
Jason says: “The original Chilean version of HIDDEN IN THE WOODS (an English-language remake featuring Michael Biehn from the same director is already in pre-production) certainly lives up to its introduction as a nasty, violent piece of work, and filmmaker
Bruce says: “***SPOILERS*** “Pen-ek Ratanaurang‘s HEADSHOT, a film about a cop turned hit man, is a huge disappointment. It is well-made and well-acted and the premise is better-than-average; but the script adds little to what is an hour and one