Jason says: “When building a survival-in-the-wild thriller, most writers start with something like BLACK ROCK and then add stuff – elaborate kills, extra plot twists, maybe some sort of weird backdrop. That’s the usual path, but the makers of this
Chris says: “Bert Stern’s contributions to the art of photography are major enough to justify a feature-length documentary about them: for starters, look to his truly innovative Smirnoff Vodka ads that transformed Madison Avenue advertising in the 1950s, his portraits
Jason says: “There’s a case to be made for THE BATTERY although it involves an premise that I’m not hugely fond of – that the filmmakers aren’t really making a zombie movie, but exploring the bond and antagonism that form
Bruce says: “Some films should come with their own primer. Certain people might find that concept quite insulting. For me, having background information before viewing NIGHT ACROSS THE STREET would have been very helpful. Raul Ruiz, who died last year
Bruce says: “It has been seven years since MY SUMMER OF LOVE, so to say the THE WOMAN IN THE FIFTH was eagerly anticipated is an understatement. Although an entirely different type of film, comparisons to MIDNIGHT IN PARIS are
Thom says: “Gyllenhaal brought me to this buddy cop drama that used that too-oft-used new film technique of using hand-held cameras for film footage. Has this worked well anywhere except for [REC]2. Brian Taylor & Mike Zavala are best friends
Jason says: “No matter the cultures involved, movies like WARRIORS OF THE RAINBOW: SEEDIQ BALE follow a certain tragic pattern: Conquest, valiant rebellion, inevitable clampdown. Here, the invaders are the Japanese, the natives are Taiwan’s Seediq people, and the way
Jason says: “THE VIRAL FACTOR aims to be a throwback to the pre-Hollywood films of John Woo, combining stylish action with even grander melodrama. And while director Dante Lam likely has more in common with today’s John Woo than the
Jason says: “Instant photography is pretty darn cool, both as concept and technology, and most of the core audience for TIME ZERO: THE LAST YEAR OF POLAROID FILM probably already feels that rather strongly. The rest of the people who
Diane says: “Franco-Swiss production SISTER underwhelmed me. A young boy who lives near a ski resort steals sports equipment, clothing, food to sell or to feed himself and his older sister. I kept imagining dramatic turns–a suicidal jump from the