Diane says: “Zany beginning fades to a ragged story in John Turturro’s third outing as director. James Gandolfini opens with an all-out singing and dancing number on the street of his Brooklyn neighborhood, supported by garbagemen et al. His wife,
Jason says: “No-one uses the word ‘terrorism’ in RIGHT At YOUR DOOR, but that’s not because it’s irrelevant to the movie. It’s all about terror, and the fear that comes from not knowing what just happened, what’s going to happen, and
Bruce says: “RETRIBUTION is a thought-provoking mixed genre film – . part police procedural, part horror, part thriller – which is a bit of a muddle. The acting, editing, set design and cinematography are all outstanding so there is much
Bruce says: “Were the acting not so good, my recommendation would be to not bother with this overwrought drama which is reminiscent of IN THE BEDROOM with its vengeful father and WE DON’T LIVE HERE ANYMORE and THE ICE STORM
Michael says: “I’m not a fan of war films, but leave it Werner Herzog to get me to go to one, and even to enjoy it for the most part. Of course, in most ways, RESCUE DAWN isn’t your typical
Jay says: “Remember MTV Unplugged? It was a series of specials where rock stars would do an acoustic set, relying on craft and material rather than raw power. Brian De Palma is doing something similar with REDACTED; he was a
Bruce says: “Andrea Arnold is getting lots of attention these days. RED ROAD won the Jury Prize at Cannes and Best Film at the Miami International Film Festival. RED ROAD has interesting origins. With an Academy Award for her short
Michael says: “I’ve been looking forward to seeing PROTAGONIST since I read about it a couple of months before it played at the Independent Film Festival of Boston last April. Unfortunately I missed it at the IFFB, but I got
Bruce says: “Alain Resnais is eighty four and by now must have had plenty experience feeling lonely. PRIVATE FEARS IN PUBLIC PLACES is all about loneliness and appears the work of a subject matter expert. Theirry (André Dussollier) is a
Bruce says: “In January, Primo Levi was released from Auchowitz where he had been incarcerated since February 1944. His journey home to Turin, Italy, took him almost a year. He and other freed Italian prisoners travelled through Poland, the Ukaraine,
Jason says: “Everything we eat and use, it seems, has some sort of despicable behavior involved at some point in the supply chain. Why should sugar be any different? At least in documenting this, THE PRICE OF SUGAR is also able
Bruce says: “**SPOILERS** “On May 8, 1988 the Pope is scheduled to visit Melo, Uruguay. Melo is in northeastern Uruguay and many Brazilians are expected to come over the border in tour buses. Weeks before the event the media creates
Jay says: “You’re not supposed to laugh at movies like THE POET. It’s serious business, after all: Polish Jews running from the advancing German army! A good young man caught between his own loving, artistic heart and the brutality of
Chris says: “PLOY, the latest from Pen-Ek Ratanaruang, initially seems worlds away from LAST LIFE IN THE UNIVERSE: it follows a couple checking into Bangkok hotel and is all rendered in washed out earth tones and barely audible ambient music
Michael says: “Sometimes documentary filmmakers will stumble across a subject that’s just so flat out weird, or fascinating that half the battle of making an interesting film is won right there. Filmmakers Chris Metzler and Jeff Springer have done just
Bruce says: “There are many things to like about PINK. PINK is a meditation on personal history, love, loss and creativity. It unconventionally wanders between fantasy and reality. Using a clay model of Athens to tell his story director Voulgaris
Michael says: “British director Duncan Roy got a little attention several years ago with AKA, a film about a young working class man who impersonates an aristocrat. For his latest film, Roy creates a modern adaptation of Oscar Wilde’s well-known
Jason says: “In recent years, Persepolis has been sliding into the spot that Maus used to occupy: The socially-relevant graphic novel that makes inroads into the mainstream and is used as an example of how the medium is good for
Jason says: “For PERFECT CREATURE, the question of ‘what if vampires were real’ isn’t quite good enough; it asks what if vampires were real, but instead of being feared, they were objects of worship? It’s kind of a dodgy idea,
Bruce says: “Based on a novel by Alan Pauls, THE PAST is a story with many themes: separation, jealousy, tragedy, and loss of love. At a party, Frida (Marta Lubos) toasts Rimini (Gael Garcia Bernal) and Sofia (Analía Couceyro) who