Michael says: “Rebecca Miller’s THE PRIVATE LIVES OF PIPPA LEE came and went in theatres with barely a notice, which is unfortunate, because it’s a beautifully crafted film with sharp writing and terrific performances from the likes of Robin Wright
Bruce says: “It’s hard to image how a film with so much potential could leave one feeling totally empty but Anthony Minghella’s flat, soulless BREAKING AND ENTERING does just that. Minghella’s script is the basic problem. It is obvious where
Bruce says: “The strangeness of this film’s title matches the tenor of the film. SORRY, HATERS is one of the most disturbing, unsettling films I’ve seen. With two sensational performances by Robin Wright Penn and Abdel Kechiche the film is
Bruce says: “This star-studded vehicle is divided into nine vignettes each named after the woman who is the main character. Each vignette is a stand alone short film but several characters do pop up in other vignettes. Sissy Spacek figures
Michael says: “I was so intrigued by the premise and the preview of this little American indie, but it turned out to be a disappointing mess. Deborah Kampmeier’s first film follows a young woman, whose family are all born again
Chris says: “Even though it cuts out a fairly major character and settles for an omniscient point of view (rather than the book’s chapter = character narration), Michael Cunningham mostly captures the essence of his beautiful book in his adapted
Bruce says: “Robert Downey, Jr. gives one of the greatest performances in one of the worst films I’ve ever seen. While I knew exactly what was going on, THE SINGING DETECTIVE still made little sense and held little interest. “Downey
