Thom says: “This was far and away the best Canadian film I saw at TIFF. A very black comedy featuring extraordinarily peculiar characters, I was hooked on this from the get-go. Thurier made quite the impression with his earlier film
Bruce says: “Having the pleasure of seeing slick documentaries such as MAN ON WIRE, PROTAGONIST, and SHUT UP AND SING one tends to be somewhat spoiled by their detailed scripting and/or high production values. It is important to keep in
Jason says: “As Part One did, CHE: PART TWO opens with a geography lesson, this time showing us the landlocked nation of Bolivia. We’re also given a text scroll telling us that Che Guevera suddenly disappeared from Cuba in the
Jason says: “One of the signs of a particularly good comedy – or any sort of movie, really – is when there are funny or interesting things happening in the corners; stuff that the movie doesn’t need but which make
Jason says: “When a child is born in a fantastical serial, whether it be television, comics, or movie sequels, there is almost inevitably some plot twist that ages him/her rapidly, or jumps the audience forward in time, or otherwise presents
Diane says: “I’m not as crazy about GOODBYE SOLO as the reviewers have been. Let’s call it THE VISITOR meets A TASTE OF CHERRY–a suicidal middle-aged white American man is thrown into the lively world of a Senegalese cab driver.
Michael says: “The best documentaries entertain and educate. It’s always great fun to watch an entertaining movie, but it’s even better to have fun and learn something too! Chris Rock knows this and he does a terrific job spinning a
Bruce says: “With all the hype over GOMORRAH, I expected one extreme or another. To my surprise it was a decent, slice-of-life film that provides some insight into the Cammora, Naples’ equivalent of the Mafia. Naples has become a world
Jason says: “What does a classic rock & roll movie need? A new sound. Rebellion against authority. Strife within the band. A girl. Clubs. Maybe a writer. And, of course, music that rocks, even if a generation has passed since
Bruce says: “Many famous films have twins as characters: HANNAH AND HER SISTERS, THERE WILL BE BLOOD, GONE WITH THE WIND, GIANT but they remain just a statement of fact or a plot adjunct, not an exploration of a phenomenon.
Jeff says: “**Slight spoilers** “A high-powered, middle-aged Parisian lawyer (Fabrice Luchini) comes to Monaco to defend an older woman against charges that she murdered her much younger Russian lover. He’s thrown into full-on mid-life crisis mode when a free-spirited (or
Jason says: “Mai Iskander has made a fine documentary in GARBAGE DREAMS, the type that is about people first, and does a fine job of being issue-oriented without hammering away at buzzwords like ‘globalizatioN.’ For all that, I must admit
Bruce says: “Garapa is a mixture of sugar and water, heated so that the sugar dissolves thoroughly. Sadly, it is the main source of nourishment for many children in South America and Africa, children whose parents cannot find jobs to
Michael says: “FOR THE LOVE OF MOVIES: THE STORY OF AMERICAN FILM CRITICISM – What a joy to attend the New England premiere of friend and long-time Chlotrudis supporters Gerry Peary and Amy Geller’s film, FOR THE LOVE OF MOVIES:
Bruce says: “Fedor (Aleksei Kravchenko) is a happy man. He and his partner drive large trucks from town to town, drinking vodka and picking up women. Fedor connects with various women everywhere he goes but he also appreciates the occasional
Beth Curran says: “Set in Denmark during its WWII occupation, the film tells the story of two famous Danish resistance fighters, Flame and Citron, and tells it with eyes open and no holds barred, which has made it quite a
Michael says: “A well-acted, mature romantic comedy is hard to come by in this day and age, and this Israeli film by a Russian director fits the bill very well. Yigal drives a taxi, and remains good friends with his
Bruce says: “**Spoilers** “THE FISH CHILD is taboo director Lucia Puenzo’s follow-up to the remarkable XXY. Based on her own novel, the multilayered story unfolds with flashbacks through different periods of time, creating a jigsaw effect. The storyline is complex
Jason says: “FINE, TOTALLY FINE has one of the highest quirk-to-story ratios ever recorded in a feature-length motion picture. It is, admittedly, though to measure, as both the plot and the digressions from it are so wispy that it’s almost