Vicki says: “In this, his last film, Alain Corneau creates a taut psychological thriller with Kristin Scott Thomas and Ludivine Sagnier squaring off. Thomas plays Christine, a cold conniving high powered office executive to Sagnier’s seemingly innocent and supportive office
Thom says: “This and one other late in the Festival are my lowest rated films. Other than seeing mother and daughter playing mother and daughter in Deneuve & Mastroianni I can’t think of one thing to recommend this turgid musical
Jason says: “You’d be forgiven for thinking that a movie taking place amid the inner circle of Saddam Hussein’s family over the past twenty-five years, and featuring the potential plot twists and mind-benders of look-alikes, would be something fairly exciting.
Jason says: “The first half of Jean-François Richet’s two-part biography of French gangster Jacques Mesrine, KILLER INSTINCT, was quitE good; the second half, PUBLIC ENEMY NUMBER ONE, is even better: As much as it’s still shuffling a lot of characters
Bruce says: “Set during the Nazi occupation of France during WWII, A SECRET is a war film, a love story, a coming-of-age tale and a mystery all wrapped into one very neat package. Its main asset, among many, is the
Bruce says: “This film is the type that haunts one’s memory long after seeing it. Audacious and totally unconventional, LES CHANSONS D’AMOUR is an UMBRELLAS OF CHERBOURG without Michel Legrand. Almost half of the film is sung; at the most
Bob G. says: “30 minutes into SWIMMING POOL you find yourself unavoidably engaged, much to your chagrin, given the lack of physical screen action. There’s not a lot going on here, at least on the surface, but Charlotte Rampling and
