Bruce says: “Pedro Almodóvar is on a creative treadmill and desperately needs to hop off. Nothing about BROKEN EMBRACES seems fresh and engaging. Once again his plot centers on various characters harboring secrets that they withhold from each other and
Jason says: “Though many cultures approach cinema differently, there are certain things that are constants. One of them is that if you open a film with a montage of a a happy child, something is going to happen to make
Michael says: “Without a doubt, BRAN NUE DAE, Rachel Perkins’ adaptation of a hugely successful Australian stage musical, is the most fun I’ve had in a theatre this year at TIFF! Willie is doing his mother’s bidding and studying to
Diane says: “Freddie Wiseman’s latest. Not much fighting–good for the faint of heart–but lots of working out. Wiseman concentrates on the rhythms of the speed bag, the heavy bag, the medicine ball, the jump rope. It’s like another ballet film
Jason says: “Before BODYGUARDS AND ASSASSINS, the festival presented Development Hell, a documentary not about the making of this film, but of the collapse of multiple attempts to shoot it under multiple titles over decades. Unlike many cursed productions, this
Jason says: “I don’t think there have been any musical animated adaptations of Bluebeard, and the reason why is pretty obvious: Once you remove the sex and violence to make it family-friendly, there isn’t much left at all. Surprisingly, given
Ibad says: “This is my first review on this board as a new Chlotrudis member, so do forgive me for this. This isn’t the first review I’ve written, but this film was, truly, difficult to write about. I think it’s
Ibad says: “Vincent Cassell informs his group of New York City ballet dancers that he’s going to stage the old staple of ballet, Swan Lake. But it’s going to be different. It’s gonna be stripped down, visceral, real. “He chooses
Thom says: “For all those missing the great Russ Meyer and his over-the-top extravaganzas (FASTER, PUSSYCAT, KILL!! KILL!!, BEYOND THE VALLEY OF THE DOLLS, MUD HONEY, etc.) here’s a terrific substitute. Big-breasted action girls in a sexploitation treat get stuck
Ivy says: “Because of the Brattle’s role in the making of this film I am predisposed to like it. I watched it before having ever seen TROLL 2 (the best worst movie that this doc is referring to) but had
Jason says: “BEETLE QUEEN CONQUERS TOKYO would be a fine name for a tacky kaiju sci-fi movie (heck, I wouldn’t be surprised if it’s been used). It’s not that, not even a little. Instead of being another bizarre and fantastic
Thom says: “Undoubtedly Darling was a very special and memorable person but your reaction to this film might well depend on your familiarity with her (him). I met her once at Jackie Curtis’ apartment and while seemingly withdrawn she certainly
Backyard (Mexico; 122 min.) directed by: Carlos Carrera starring: Ana de la Reguera; Asur Zagada; Marco Pérez; Ivan Cortes; Joaquín Cosio; Alejandro Calva Ivy says: “I saw this film at TIFF because I have always been curious about this
Jason says: “It’s a little bit amazing, when you come to think of it, how quirky action/adventure films made outside the Hollywood system can be. Maybe it’s just because I am used to the conservative thinking that is typical here
Jason says: “It’s a hoary old chestnut, but one that has stuck in the English language every since Shakespeare first used it in Hamlet because here’s a truth contained in it: ‘Method to madness.’ It’s not enough to just say
Bruce says: “At the 2007 premiere of her film WITH YOUR PERMISSION at the Toronto International Film Festival Paprika Steen announced that she and the film’s star, Lars Brygmann, would be playing George and Martha in Copenhagen in the spring
TC says: “This Aussie crime thriller is an amazingly taut, heart-stopping ride from beginning to end. The story of a Melbourne crime family on the way down as seen from J, the 18-year-old nephew of the family whose mother kept
Jason says: “Cinema lovers: Have you spent your time in theaters and at the video store working your way through the Criterion Collection, absorbing the work of international masters, and seeing the most acclaimed films of a century of motion
Jason says: “The most popular phrases being used to describe AMER tend to include the word giallo – it is giallo-inspired, reminiscent of the giallo films of the 1970s, etc., etc. This is true, but also misleading, because such descriptions
Michael says: “One day an inflatable air doll, a substitute for sexual pleasure, wakes up to find she has a heart. She is self-animated, self-aware, and filled with wonder as she discovers the world around her. On a meandering sojourn