Chris says: “*Minor spoilers ahead* “Though not a flawless film, Richard Linklater’s BEFORE SUNRISE concluded almost perfectly: its open-endedness exuded a lovely power as it revisited all the spaces its two leads Jesse (Ethan Hawke) and Celine (Julie Delpy) inhabited
Kyle says: “BECOMING TRAVIATA, or in its much better French title TRAVIATA ET NOUS, is a documentary on preparations and rehearsals for a production of Giuseppe Verdi’s beloved 1853 opera ‘La Traviata’ at the Festival d’Aix-en-Provence, starring charismatic soprano Natalie
The Great Beauty (Italy/France; 142 min.) directed by: Paolo Sorrentino starring: Toni Servillo; Sabrina Ferilli; Carlo Buccirosso; Georgio Pasotti; Massimo Popolizio Peter says: “This is a film loaded with Fellini style imagery, characters, and abrupt scene transitions that make its
Jason says: “There’s a case to be made for THE BATTERY although it involves an premise that I’m not hugely fond of – that the filmmakers aren’t really making a zombie movie, but exploring the bond and antagonism that form
Jason says: “You can say what you want about Detroit – that its main industry needs propping up, that its population is collapsing, that arson seems to be the most popular local activity – but you have to admit, hope
Jason says: “The question has probably been answered in some interview or festival Q&A with Sion Sono, but if he had been able to spend the time and money to edit this movie and get it released back in 1995,
Jason says: “You see enough horror movies, and eventually ‘ridiculous puppet monster ‘ can seem like a genre. You can break it down further and make the distinction between whether it’s a movie based upon puppets being creepy or one
Jason says: “I strongly suspect that I have complained about documentaries that seem to argue that someone wrecking his life and those of the people around him is more tragic because he could play the guitar enough for it to
Jason says: “There have been a fair number of movies, books, and the like about terrorism over the years, but many, in their perfectly reasonable attempt to illuminate the phenomenon, ignore a simple truth: Most people just can’t understand. This
Jason says: “Five years ago, Alex Gibney set out to make THE ROAD BACK, a documentary that followed Lance Armstrong’s comeback, hopefully to culminate in an eighth Tour de France victory. That didn’t happen, but a whole lot of other
Thom says: “Rarely does Film Movement introduce a film with a major actor like John Hawkes but the film did win the Silver Bear at the Berlin International Film Festival and certainly deserves a wider audience. This one is a
Jason says: “ANTISOCIAL is an impressive little horror movie that distinguishes itself by showing how it’s not necessarily what a movie does that matters, but how it pulls it off. Sure, the initial plot is built on a foundation of
Jason says: “ANIMALS is a coming-of-age story that perches right on the border between an impressive level of ambition and complexity on the one side and trying to do too much on the other. There’s a whole movie just in
Kyle says: “The International Premiere of THE ANIMALS was an offering in the series titled ‘Manila Chronicles: The New Filipino Cinema.’ In one regard, it can lay claim to being the single most disturbing film of the 12th New York
Jeff says: “Ken Loach takes a page from the Bill Forsyth playbook in this small story of redemption. “We first meet Robbie (Paul Brannigan) in a Glasgow courtroom listening to a solicitor argue before the judge that despite his thuggish
Thom says: “AMOUR has already won the Palme d’Or at this year’s Cannes Film Festival and has gotten raves from critics as well as Chlotrudis stalwarts so I feel a bit of a shnerd not giving this a better ranking.
Jason says: “I’m not sure what its Canadian filmmakers figure is so specifically American about AMERICAN MARY but, hey, whatever. Jen & Sylvia Soska have made an impressive little movie that may not exactly be horror but can certainly make
Jason says: “At times, ALL IS LOST presents itself as pure problem-solving porn: No speaking, no backstory, not necessarily even much of a sense that filmmaker J.C. Chandor has anything else on his mind besides just showing what’s happening to
Thom says: “The film was superbly made with extraordinary effects that made for a real thrill ride. It’s the first time I’ve seen what I would call a disaster/horror film with instead of a pack of zombies after such cataclysmic
Kyle says: “THE ACT OF KILLING is the improbable must-see hit of the 2013 New Directors/New Films roster. This is a powerful documentary on the aftermath of the 1965-66 military overthrow of the Indonesian government and consequent mass killings by