Jason says: “There are times when SONG ONE starts to come across as a simple enough romance that its peculiar start fades into the background, and it’s odd for that to feel like a good thing. The way the two
Brett says: “Not another holocaust film. SON OF SAUL is a look from within a World War II concentration camp, or perhaps better described as a series of passing glances from within. Director Lázló Nemes provides the insight into militant
Jason says: “The movie listings this Valentine’s Day are weird: The big studio release is FIFTY SHADES OF GREY and in that spirit, my local theaters are pulling out prints of SECRETARY, bringing THE DUKE OF BURGUNDY back for a
Jason says: “Is it wrong to kind of hope that a pretty great horror movie perhaps stalls out at cult favorite? SOME KIND OF HATE is a strong, smart, bloody example of what the genre can do when its aims
Jason says: “The inciting incident of SOCIALPHOBIA is never shown on-screen, just the social-media reaction to it, and that sort of feels right. It’s easy to get caught up in something online without having been there at the start, or
Jason says: “I am not sure whether John Maclean narrowly misses the tone he’s going for with SLOW WEST or hits it dead-on; even considering that westerns are relatively rare these days, this one feels a little different. I consider
Jason says: “The romantic comedy genre has felt a little tapped out lately; the big American studios barely produce them anymore and the independent productions like SLEEPING WITH OTHER PEOPLE are oddly self-aware. The trick that a filmmaker is trying
Jason says: “Like a lot of movies adapted from long-running manga, SHINJUKU SWAN shows a lot of telltale signs of screenwriters Rikiya Mizushima and OsamuSuzuki trying to cram a lot of storylines and fan-favorite characters into a couple hours. It’s
Jason says: “The recent influx of Chinese movies directly into American theaters has been an exciting development, although sometimes the variety has been wanting: Not only have almost all of the movies been Mandarin-language selections from Taiwan and the mainland,
Jason says: “The concept behind Lene Kaaberbøl’s Shamer Chronicles book series is an interesting one, positing a woman and her daughter with the ability to look into a person’s soul and pull out what they are ashamed of. What kinds
Jason says: “There’s a vibe to SHADOWS ON THE WALL that suggests filmmaker Benjamin Carland is trying to make a PRIMER not just something with big ideas but a small cast and budget, but a tactile feel. Something where all
Kyle says: “First name SERENA, married name Pemberton. Serena Pemberton: Is there a more perfect name for a character from 1929 played by Jennifer Lawrence? The man who proposes to her within moments of seeing her for the first time,
Thom says: “Almost everyone saw the delightful, life-affirming THE BEST EXOTIC MARIGOLD HOTEL & this sequel is more of the same; yet, with a disparaging finale. But the abundant treasures of the film just keep streaming along. Personally, I adore
Kyle says: “Anyone who dines on Chinese cuisine with any regularity has sampled General Tso’s Chicken. In fact, writer/director Ian Cheney of THE SEARCH FOR GENERAL TSO suggests it is the single most popular ethnic cuisine item in America aside
Jason says: “A nifty thing about SCHERZO DIABOLICO: It feels like a black comedy for much of its running time, but you’ll likely struggle to remember any actual jokes afterward. The comedy is almost entirely from the discomfort and absurdity
Jason says: “It’s often said, by those longing for a past golden age, that the movies were better decades ago when filmmakers had to deal with restrictions, whether imposed by the industry or communities – from pressure, the argument goes,
Kyle says: “LA SAPIENZA opens with an exquisite Italian lake shot accompanied by Claudio Monteverdi’s six-part ‘Magnificat’ from 1610, transitioning into an Italian Baroque vista and a contemplation of architectural, sculptural, and painting details. We are watching the main titles,
Jason says: “RUROUNI KENSHIN: KYOTO INFERNO and RUROUNI KENSHIN: THE LEGEND ENDS were released within a month and a half of each other in Japan, emphasizing how they function more as a two-part sequel to 2012’s first film than as
Jason says: “This thing was the highest-grossing movie in the world last weekend, and I’m hoping like heck that China turning out for it in large numbers doesn’t give Hollywood any ideas. It’s vaguely worrisome enough that this sort of
Jason says: “I’ve been looking to make a ‘costume drama’ joke about this film ever since I first heard of it, but it initially didn’t quite seem appropriate – for the first half or so, this is mainly a very