Jason says: “I don’t know much about raising kids or autism, let alone the combination of the two, but I probably know just enough to find JACK OF THE RED HEARTS a bit more alarming than it was perhaps meant
Jason says: “The previews for the American release of IP MAN 3 have been playing it up as Donnie Yen versus Mike Tyson, and that’s probably good marketing even if the former heavyweight champ is credited with a ‘special appearance’
Bruce says: “Filmed in black and white reminiscent of the 1960s, Philippe Garrel’s IN THE SHADOW OF WOMEN follows the dissolution of a marriage. Both husband and wife are having extra-marital affairs although they are happily married and deeply in
Bruce says: “Hany Abu-hassad would seem an unlikely director of a biopic. His earlier films, RANA’S WEDDING, PARADISE NOW, and OMAR have documented the effects of Israeli enforced apartheid on the Palestinian community. While THE IDOL has many of those
Jeff says: “Actually, I will be nominating Rima Te Wiata for Best Supporting Actress in the role of Bella, a big-hearted, back-to-the-land farmer and forager who brings a misunderstood child out of his shell. This is a fish-out-of water story
Jason says: “Ambiguity is a powerful tool for filmmakers and other storytellers if they can handle the challenges of using the same material to build two opposing narratives at once, and not just because pulling it off is an impressive
Bruce says: “David Hockney as a subject is fascinating, complicated and ever so broad. In the contemporary art world, he is nearly without peer, when one considers the breadth and consistent quality of his work. No documentary could truly do
Jason says: “HIGH-RISE carries so many illustrious pedigrees, such as the novel by science fiction author J.G. Ballard, and a committed performance by star Tom Hiddleston, and its press notes are filled with so many adjectives such as ‘ambitious’ and
Thom says: “The Coen Brothers have had a long, steady run of super-loved films that they have directed and they very rarely fail to hit my highest rating so that this palpably fun film didn’t achieve that fantastic distinction is
Jeff says: “The next movie from director Jeremy Saulnier, responsible for 2013’s BLUE RUIN, GREEN ROOM once again throws a bunch of regular guys into horrific circumstances (heroin-manufacturing Nazi skinheads, homicidal dogs), and lets them improvise a way out (as
Jason says: “When I saw the first FROM VEGAS TO MACAU at a festival a couple years ago, I figured that I was just a victim of bad expectations, not prepared for something so silly, especially thinking of Chow Yun-fat
Chris says: “Not sure if this will get any kind of distribution, but this IFFBoston title blew me away with its intensity, neorealism, and nuanced approach to its subject matter. It concerns a storefront Pentecostal church in Memphis and a
Bruce says “As he did with the Hermitage in RUSSIAN ARK, Sokurov takes on the Louvre mixing art, history and folklore. In spite of meandering – as a Sokurov film is wont to do – the focus ultimately settles on
Jason says: “The professional sports industry churns out a tremendous amount of non-fiction films every year, and the number is probably only going up with the sheer number of cable sports channels with time to fill, especially during the off-season.
Michael says: “Just watched a pretty accomplished film called THE FAMILY FANG, starring Nicole Kidman and Jason Bateman, directed by Bateman. This offbeat tale looks at the Fang family, led by a pair of performance artists who put their two
Jason says: “What one often reads about Unmanned Aerial Vehicle strikes may lead such a person to believe that the way concern about collateral damage drives EYE IN THE SKY marks it as a fantasy, as does the stark, immediate
Jason says: “The shots of present-day ruins that open EMBERS are a reminder of sorts that worlds end all the time, on the scale of individual hopes and dreams, though those tiny apocalypses are often part of a greater calamity.
Jeff says: “If Peter Greenaway is your cup of tea, you’ll rank this right up there with his best. As usual his painterly eye makes for some gorgeous visuals, and Elmer Bäck creates a wonderfully louche Eisenstein.” Bruce says:
Jason says: “There’s an atom-thin line between movies that separate themselves from the pack by being prepared with irreverence, eccentric characters, and black comedy and the ones that fail horribly because injecting that sort of thing into something that wants
Jason says: “A couple of weeks ago, I mentioned the projectionist at my neighborhood theater by name when talking to a co-worker, and he took the fact that I knew him by name as a sign that maybe I spent