Howard says: “If you can get past the first 10 minutes of Pixar’s latest, you’ll get a movie that is on par with their four other feature films. FINDING NEMO turns out to be a big, adventure film with a
Michael says: “This documentary about legendary Italian director Federico Fellini is a terrific film for fans of his work. Extensive interviews with Fellini make up the bulk of the film, with conversations with the likes of Donald Sutherland, Terrence Stamp,
Laura says: “FINAL DESTINATION was a cut above the standard teen horror flick, leading the pack of current films which examine luck and fate’s relationships with death (UNBREAKABLE, INTACTO), its premise obscuring its slasher film agenda of innovative death scenes.
Laura says: “Tyro director Jordan Melamed gets natural and perceptive work from a cast comprised of amateurs and professionals. They mine their own truths improvising their way around actors Michael Bacall and Blayne Weaver’s script despite some genre cliches. However,
Michael says: “First-time director Gavin Heffernan writes and stars in this overly-ambitious ‘out-all-night’ film with mixed results. Given the difficulties that low-budget, independent films face today, the very fact that EXPIRATION exists is certainly an impressive feat. The twenty-three year
Howard says: “See this before Tom Cruise’s company turns it into Hollywood schlock. THE EYE is the latest of the Asian films to be bought up by the power brokers in Tinsel Town and like THE RING will probably be
Michael says: “‘Some films are difficult to review. THE EVENT, the latest film from one of my favorite filmmakers, Thom Fitzgerald (THE HANGING GARDEN, THE WILD DOGS) is one such film. The reason that it is so difficult to review
Howard says: “While ELF has some cute and amusing moments, it plays like most other vehicles of Saturday Night Live players – a skit that goes on too long. Will Ferrell is best when he’s alone off doing his weird,
Michael says: “Guy Maddin is a talented and creative filmmaker. For his latest U.S. release, he has taken Mark Godden’s interpretation of Bram Stoker’s Dracula for the Royal Winnipeg Ballet and turned it into an beautifully eerie film with moments
Laura says: “Griffin wastes no time tipping his hat to his idol Richard Pryor during his opening concert salvos with a bit on the way white people walk. He also follows what seems to be the current de rigueur rule