Chris says: “Well, now that this is being held over at the Kendall for another week, I can encourage all you Boston folk to check it out. Music films should be seen in a theater with an appreciative audience, dagnabit!
Bruce says: “EAGER BODIES is an uncomfortable film to watch yet I can’t get it out of my mind. Charlotte (Laura Smet) is twenty and not feeling well. When she goes to the doctor he performs routine tests. The doctor
Hilary says: “Just a few words on Bernardo Bertolucci’s latest effort, THE DREAMERS: silly, pretentious, and unsexy.” Janet says: “I had not intended to see this film, but today was so gray, and I was numbingly bored with both
Bruce says: “Beware, spoilers. There is something very off about THE DOOR IN THE FLOOR; I think it’s the writing. And the money. It is very difficult to have bundles of sympathy for those who live in a gorgeous house
Ivy says: “I caught this last night at the Brattle. I am so glad I saw it on the big screen! I have felt for years that Von Trier is a talented filmmaker and DOGVILLE just reconfirms this belief. “It
Bruce says: “Mahmut (Muzaffer Ozdemir) and Yusuf (Emin Toprak ) both hail from the same mountain village. Mahmut, who is the elder by at least a dozen years, is a self-made man. He is educated, a successful photographer in both
Chris says: “A DIRTY SHAME is an intermittently amusing but generally trite film. NC-17 rating and all, I wasn’t expecting John Waters to make another PINK FLAMINGOS, but there’s absolutely nothing shocking or subversive going on here. Like every other
Chris says: “This frenzied documentary is worthy of the hype lavished upon it. A chronicle of seven years in the lives of two bands (The Dandy Warhols and The Brian Jonestown Massacre) who start out as friends and end up
Scot says: “To everyone who wanted to take the extra pass Michael had for the new biopic of Cole Porter’s life, but couldn’t, I say, ‘Consider yourselves lucky.’ It was de-lousy. “I hate to discourage *anyone* from seeing more musicals,
Bruce says: “This bleak piece of filmmaking is the story of Robert, an unemployed actor who has been making the rounds in New York for a decade or so. He has a childish optimism that keeps him going in spite