Toni says: “I think that THESE AMAZING SHADOWS is too much of a propaganda love story to random films selected to the National Film Registry than an even documentary about the registry. There is much one might like to learn
Chris says: “In rural Queensland, Australia, Peter, a father of four suffers a fatal heart attack while driving and hits the enormous tree next to his house. Soon, his wife Dawn (Charlotte Gainsbourg) and 8-year-old daughter Simone (Morgana Davies) sense
Jason says: “Earlier in this festival (and on many other occasions), I saw a movie about an eccentric kid growing up, and it was kind of annoying; even if inspired by actual people, the characters seemed like adult screenwriters. So
Jason says: “When Cristian Mungiu last took audiences to Romania before the fall of communism, he gave us the tense, oppressive 4 MONTHS, 3 WEEKS and 2 DAYS; it seldom referenced the Ceaușescu regime directly, but still managed to perfectly
Chris says: “After watching TABLOID, you wonder why it took so long for someone to make a film about Joyce McKinney. Her fascinating, stranger-than-fiction life story aside, she just blooms in front of the camera without giving off the pretense
Diane says: “A film about the pervasive anxiety in our world, through the story of one man’s mental illness. On the literal level, this movie is good at showing the stigma of mental illness and the chaos of delusional disorders.
Thom says: “Oh, how I wanted to like this film a whole bunch more. I’ve long adored Mark Ruffalo and seeing as this was his initial directing credit I was hoping for a new career for the endearing actor. It
Diane says: “I read conflicting reviews of SUPER. One called it ‘an unwieldy mix of juvenile jokery and attempted pathos that just doesn’t pay off’ (SF Chronicle); another ‘the second coming of the avant-garde in indie film’ and ‘occasionally brilliant’
Jason says: “It is customary, when discussing master filmmakers still producing movies well past when people in most industries have retired, to comment on how they are still vital and what an inspiration it is that they still love their
Jason says: “Watching SUBMARINE, I wondered about director Richard Ayoade’s youth, speculating that he’d spent his time in the cinema, watching French movies rather than hanging out with other kids. There’s an argument to be made that one is better