Bruce says: “As in many South and Central American countries war has ravaged the population and the environment. In Guatemala, it was an unfair war in which the poor people of the country suffered immeasurably. After the war ended women
Jason says: “Though Harvey Weinstein has saddled this movie with a generic name for when he finally gets around to releasing it in the USA (the man can’t help himself), the original Chinese name of WU XIA is even more
Jason says: “As much as I found the festival describing DIMENSIONS: A LINE, A LOOP, A TANGLE OF THREADS (to give it its full title) with ‘Imagine a sci-fi film on PBS’ Masterpiece Theatre’ to be a bit too glibly
Jason says: “Anthology film DOOMSDAY BOOK does not quite end the world in three ways, as one might expect it to do. Even more interesting is that the contemplative middle segment comes from noted action director Kim Jee-woon, whose unusual
Bruce says: “Diana Vreeland is a foolproof subject for a documentary. Famous for her remark to Norman Parkinson regarding his fashion photos from a photo shoot in India , ‘I adore that pink. It’s the navy blue of India,’ Ms.
Jason says: “Some things about DETENTION make me think that director Joseph Kahn isn’t just making a movie for young audiences, but taunting ones my age. A movie that asks ‘how hard is it to be cool in 1992?’ (my
Jason says: “There are many warning signs, but when the person hired to get electronic press kit/making-of footage for a movie comes to the producer and asks if she can hang around more and keep her footage because she thinks
Bruce says: “When AMERICAN HISTORY X made a big splash nearly fifteen years ago it seemed there might be a new director entering the master ranks. Then along came SNOWBLIND, LOBBY LOBSTER and BLACK WATER TRANSIT. Remember them? Of course
Thom says: “I’ve been an assiduous fan of Terence Davies ever since his 1st feature film DISTANT VOICES, STILL LIVES back in 1988. Since then I found all of his films brilliant: THE LONG DAY CLOSES (1992), THE NEON BIBLE
Chris says: “Not exactly a return to form for Tim Burton, but easily the best remake/adaptation he’s done since his BATMAN films. Junk culture like a cheesy horror-laced soap opera seems closer to his heart than Lewis Carroll or Roald