Jason says: “Richard Bates Jr.’s Excision is a feature version of his short film, and it’s sort of got that feel: More observation than story, strong visuals that exist for their own sake, and one central character that dominates an
Thom says: “Winterbottom, a must-see director as much for his style which isn’t all that discernable as his willingness to expand his horizons by making a variety of genres and techniques. You’ll, of course, recall his THE KILLER INSIDE ME,
Julie says: “Well done doc that puts the obvious altogether in one nice package. It is obvious but somehow not to the current U.S. medical system. I hope that the next 4 years might see more change in this direction.
Thom says: “This apocalyptic thriller has a lot going on its behalf like a professional, attractive cast, a lovely well-structured feel, and a riveting plot. A group of college pals have reunion years later with a mysterious secret that needs
Jason says: “There’s a certain type of story that appears in magazines devoted to mystery and suspense which doesn’t really present much of either, but instead strips all the plot away and focuses tightly on what the pressures on one
Bruce says: “Few stars are lovelier than the radiant Juliette Binoche. Her appeal is not superficial for she radiates an inner beauty that infuses her characters. As Anne, a reporter for Elle Magazine, Binoche adds another layer. She comes from
Eddie: The Sleepwalking Cannibal (Canda/Denmark; 90 min.) directed by: Boris Rodriguez starring: Thure Lindhardt; Dylan Smith; Stephen McHattie; Alain Goulem; Paul Braunstein;Georgina Reilly Jason says: “We’ve all heard (or used) some variation on ‘my art comes from a dark place’
Bruce says: “Winner of three prizes at the 2011 Venice Film Festival, EASY! is a satisfying comedy about parenting and coming of age. Writer director Francesco Bruni, best known for his screenplay for CATERINA IN THE BIG CITY, demonstrates the
Thom says: “The extraordinary Film Movement series comes through with another winner here and just in time to be included in the Coming-of-Age extravaganza offered by dear Chlotrudis. Anyone seeing this one would be the first to agree. Having already
Jason says: “DUST UP has some very cool opening credits, clever throwbacks to the 1970s exploitation flicks it emulates over a rocking soundtrack; it’s got a couple of nifty posters along those lines, too. Like those movies, the actual product