Thom says: “This adaptation of the Divine William Shakespeare comedy masterpiece fully deserved the accolades it received at TIFF as this modern reading in gorgeous black & white photography was spectacularly successful. Many rehearsals must have been scheduled for the
Jason says: “MOTIVATIONAL GROWTH ran twice at the festival, with overlapping crowds but different results: Once as a spotlight presentation with the director doing Q&A that was reasonably well received, and once as the 4am leg of a noon-to-noon marathon
Chris says: “At her wedding, Adenike (Danai Gurira), a Nigerian recently transplanted to Brooklyn is asked by her mother-in-law to bear a child named George. In her culture, this is not a request, but a command, her duty. After a
Jason says: “THE MOTEL LIFE isn’t quite a lot of filler packed around one great moment – it is, really, a watchable indie drama, so when the scene the audience will remember comes, they aren’t likely to weigh that bit
Jason says: “Many potential audience members will see a preview for Markus Imhoof’s documentary MORE THAN HONEY and perhaps wonder if it has anything particularly new to tell them; we learn about bees and their symbiotic relationship with the local
Chris says: “A half-forgotten pop culture figure you probably never thought the world needed a documentary feature about, mid-century black comedienne Moms Mabley actually proves ideal for the format. Her career trajectory (playing to mostly black audiences until finding mainstream
Jason says: “Put its Mormon trappings aside, and MISSIONARY is the sort of basic ‘woman with a stalker’ movie that hits all its marks well enough that the audience doesn’t necessarily care that it’s working from a standard list. It
Bruce says: “Michael Haneke does not like to discuss his personal life – he prefers to concentrate on the man behind the camera. Those wishes are granted by director Yves Montmayeur. It is likely those wishes were conditional in making
Kyle says: “MIRACLE IN CELL NO. 7 is a despicable patriarchal fantasy presented as a comedic tearjerker about a wrongfully imprisoned intellectually impaired but adoring father Young-Goo (Ryoo Seung-Ryong) of a precious little girl Je-Seung (Kal So-Won), who is smuggled
Kyle says: “Whether you are a potential viewer of this latest work by the director best known for MURIEL’S WEDDING depends on how open you are to a comedy about mental illness. The title refers not only to the wildly
