Chris says: “Deceptively simple and effortlessly graceful, this character study is the type of American indie you wish would receive the release and promotional heft of something like THE WAY WAY BACK. Martin Bonner, a divorced, sixty-ish man of Australian
Thom says: “I’ve followed Hal Hartley’s career quite closely & had seen all his feature-length films sans FLIRT (1995) & SURVIVING DESIRE (1993) & have loved some of them including TRUST, AMATEUR, HENRY FOOL, & FAY GRIM. Others haven’t been
Jason says: “As much as I’m glad the Boston Sci-Fi Film Festival is getting a better class of movies, I kind of wish that the timing of MARS ET AVRIL hitting the festival circuit and then having its regular release
Bruce says: “Loosely based on the characters of Leopold and Molly Bloom in James Joyce’s Ulysses, MARRIAGE is a dawn-to-dusk examination of a marriage from within the minds of both husband and wife. It is a day in which both
Bruce says: “I generally try not to review the big blockbusters but as a gigantic Superman fan I thought I could add my 2-cents-worth. I’ve seen SUPERMAN, SUPERMAN II, SUPERMAN III, SUPERMAN IV: THE QUEST FOR PEACE, SUPERMAN RETURNS, &
Jason says: “MANDELA: LONG WALK TO FREEDOM is a tidily-arranged biography; it organizes what people are interested in where Nelson Mandela is concerned and presents it in a manner that is respectful and stirring without feeling like it is getting
Jason says: “THE MACHINE is not the sort of science fiction movie that comes from someone who is, at heart, making a western, or because setting it in the future gives the FX guys a reason to make cool visuals,
Jason says: “This movie seems like it has no business being as good as it is – it’s a sweet, goofy thing that makes occasional ventures into crude adult territory, and the world of sentai action it’s set in demands
Chris says: “Linda Lovelace, star of the seminal mainstream porno DEEP THROAT, had a life story seemingly tailor-made for a biopic: plucked from obscurity, she became an instant, infamous celebrity, but paid dearly for it. LOVELACE revels in that dichotomy,
Jason says: “There are times when I watch movies and it’s not the obviously bad science itself that bothers me so much as the ignorance about the people and processes involved. It’s not the only discipline filmmakers seem to not